Box Office: Super 30 Super Sinks (Stinks?)

Well, this is heartening! In India (shockingly [sarcasm]) Super 30 is doing well in multiplexes and poorly on the mass circuit. Because poor people don’t like movies about poor people, rich people like movies about poor people. But Super 30 is also kind of DOA overseas! Wooo for the global market! Realm of taste and common sense and not being interested in poverty porn! (figures from bollywoodhungama)

In the US, Super 30 released on 317 screens, which is higher than the last film of all 3 Khans. And it made only $2,232 per screen. Oh Baby on 84 screens made slightly less than that. Article 15 on 33 screens in week 3 made about $1,500 per screen. And Kabir Singh on 43 screens made about $1,300 per screen.

In Canada, Super 30 made about $4,000 per screen on 35 screens, which is a high screen count for Canada but a low per screen. In the UK, 85 screens and $1,200 per screen which is a high screen count and on the low end per screen. Australia, 53 screens and $3,207 per screen which is SHOCKINGLY low. Super 30 also released on 15 reporting screens in Germany, 11 screens in Norway, and 3 screens in Portugal.

Image result for super 30 poster

Remember when Reliance did their “investigation” and “cleared” Vikas Bahl in the most transparent manner possible? And I was wondering why they were even bothering to put in all this effort for a random director? This release is telling me why.

Reliance, for whatever reason, really really believed in this movie. Those screen counts above, that’s bonkers. And stupid, since the per screen take just doesn’t justify the numbers. Plus it released in Germany, Norway, and Portugal? What is up with that?

I am assuming that Reliance has some very favorable rights deal for this film, that’s usually what it means when a company pushes content this hard (see also: the ten million ads for “original content” you have to wade through every time you turn on Prime or Netflix). And now I am wondering if Vikas Bahl had some kind of hold on those rights which made them want to make nice to him so they could do this kind of massive release and reap massive profits.

This whole thing looks like Reliance trying to take a leap into a new sort of global market. They got a big star they could control (Hrithik doesn’t insist on co-producing and retaining rights like the 3 Khans, Akshay, Ajay, really everyone else at his level), and the sort of Poverty Porn that they thought would do well globally. And then they started leveraging up their content, setting the stage for a record breaking release into new markets.

Which is also why Hrithik is in a better position after this horrible horrible flop. He lost career cred, but he didn’t lose money.

I guess it’s a qualified success, I don’t think any of the theaters actually lost money. And Reliance did manage to break into new markets (seriously, Portugal?). But it’s too bad that this movie is the one they chose. The whole “dirty starving children” thing apparently just does not have traction overseas. They would have done better to give this kind of release to Article 15, which is still holding on remarkably well. Although Hrithik is better than I thought! Considering the way the box office is dying overall, and that he hasn’t had a hit film in like 4 years, this is quite respectable. Good on you Hrithik! Bad on you Reliance and your business decisions and making deals with the devil! But Good on you Hrithik!

8 thoughts on “Box Office: Super 30 Super Sinks (Stinks?)

  1. I like your line “poor people don’t like movies about poor people, rich people like movies about poor people”. I know what you mean, but it’s movies where “poor people, oooooh!” is the plot, right? Like, a lot of the seventies Amitabh movies were about poor people, but the plot was more “Amitabh, ooooooh!”, which is why they had a more universal appeal? Maybe?


    • Yeah, but the Amitabh movies were about a poor boy moving in a rich people’s world. The setting was still a novelty for the audience.

      On Tue, Jul 16, 2019 at 2:45 PM dontcallitbollywood wrote:



      • Huh, good point. Now I’m trying to think a movie with a more-or-less poor people setting straight through that’s not in the icky poverty porn category. In the US, maybe some of those nostalgic “in the good old days, back on the farm” type things? But I don’t know the Indian equivalent.


        • I don’t think there is anything that is poor-poor. Plenty of gentile poverty and struggling middle-class stories though.

          On Tue, Jul 16, 2019 at 2:58 PM dontcallitbollywood wrote:



  2. Hello, I’m a Portuguese reader on this blog. Been watching Hindi cinema since age 15 (I’m 26 now). Major Indian films are released here every month, and shown for about a week at select theaters. There’s a pretty significant South Asian diaspora here, due to both historical ties with India and recent migration. Our prime minister, António Costa, is of partial Goan descent. So having Super 30 release here makes some sense, haha.

    Love reading your posts and analysis! All the best!

    Liked by 1 person

    • Thank you! That is super interesting and useful information.

      I have never seen Portugal listed before in the official box office count, which I thought was because you didn’t get Indian films. But if you have been getting them, than what it really means is that this is the first time the distributors, Reliance, have paid to have the tickets tracked and reported. Another sign of how serious they are about this film, for whatever reason.

      And thank you for commenting! Comment again, any time, on anything!


      • No worries! Honestly, I’m not an expert on the box office side of things but the few times I saw Portugal included in the count, the figures were pitiful in comparison to the other countries where the same film was showing. But I guess there’s still enough demand to keep on releasing one or two a month. I myself didn’t know they showed them here up until a few years ago when I saw a poster for Bajirao Mastani at a cinema in Lisbon, and my first Hindi film experience in a Portuguese theater was this past January when Manikarnika released. Would have enjoyed the experience more if the film were better, but you never know until you try, I guess!

        Liked by 1 person

Leave a Reply

Fill in your details below or click an icon to log in: Logo

You are commenting using your account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s

This site uses Akismet to reduce spam. Learn how your comment data is processed.