Weekend WatchAlong: Dil To Pagal Hai! 4pm Chicago Time! Let’s Get DANCEY!!!!

An afternoon watchalong! Radical! And Dil To Pagal Hai, a movie I find dull, but SRK is charming and the songs are okay, so I will survive.

Dil To Pagal Hai

It’s on Prime, and available for rent at all the places. My second least favorite Madhuri-SRK collaberation (Koyla, Anjaam, Gaja Gamini, Hum Tumhare Hain Sanam, Dil To Pagal Hai, Devdas), but undeniably a hit and important in the great Shahrukh Khan story.

At 4pm Chicago time, I will put up an “And PLAY!” comment and then we will all comment along from there.

591 thoughts on “Weekend WatchAlong: Dil To Pagal Hai! 4pm Chicago Time! Let’s Get DANCEY!!!!

  1. I’ve never seen Cocktail but now I kind of want to watch it because I know it is a similar plot and the “Nisha” character once again got all the acting accolades because playing the rejected leg of the triangle as a good friend and upstanding person is really really hard.

    Liked by 2 people

  2. Ugh, Madhuri’s character comes off even worse in contrast with what we just saw from Karisma. She was fearless and honest and trying to be fair to everyone’s own personal truth. And now Madhuri is trying to do the same but will FAIL because she is a COWARD.

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  3. I like how both the sequences where SRK and Madhuri have to talk to the people who have romantic feelings for them that they cannot return, who they love *platonically*, are sequenced in tandem.

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  4. Remember this plot in Dil Chahta Hai? I really like how they handle it there. Preity’s enormous survivor guilt and crushing weight of life debt. And the immediate response of her foster parents wanting to talk about how she doesn’t “owe” them anything and being very distressed about her relationship to them over the whole “I got engaged to your son because I thought it would make you happy” issue. I don’t think this movie ever really takes the second step of saying “actually, Farida wouldn’t be happy if you married Akshay, not if you didn’t love him”.

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  5. Passive. She’s passive. That’s what bothers me. And Naina is totally right, it is an “Indian woman” virtue. But it’s INFURIATING!!!! Nisha takes control of her destiny and responsibility for her decisions good or bad. Madhuri is all “gee, what to do? Farida is saying this, Akshay is saying this, earlier uncle told me to be in this show, I am just an object to be shoved across the gameboard of life”

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      • Back to Dil Chahta Hai for a second! I thought it was such a smart character touch for Preity’s uncle, her only biological relative, to come and support Aamir. Acknowledging that Preity needed that sense of belonging and having a right to someone by birth before she would be brave enough to make a move.

        Liked by 1 person

        • Yes it was fab!!! And in this case Madhuri had noone else. Imagine if it was deciding to marry SRK means she will lose the only family she had ever known… I know from personal experience that can be a VERY VERY hard decision.

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  6. Oh oh! Another movie that did this better! KKHH! Kajol WAS in charge of her own life, that was the problem, she made all the decisions in the Salman engagement which made it that much harder to go back on what she had decided. Although in that one it is SRK who is the cowardly passive wimp afraid to talk.

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  7. Such a trope of movies about performers and I love it: a song that used to be private and heartfelt becomes something you don’t really believe in anymore but have to keep performing for an audience.

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  8. I don’t want Karisma and SRK to fall in love after this movie is over, but I kind of want them to become roommates and star in a sitcom. Wouldn’t this be a great extended pilot episode? She loved him and had her heart broken, he loved someone else and had his heart broken, they are still best friends? And maybe they have a wacky landlord?

    Liked by 2 people

  9. Like Naina I do love the meta-ness of THEIR personal songs winding up in “performance” and getting too real for them…to the point where they have to move away just to get away from the bigness of it all.

    Liked by 2 people

  10. Ah it is almost over. I will have to go back to watch the Madhuri sweaty dancing in the white again, and the children in the rain song that glitched out for me.

    Liked by 1 person

  11. Wait, so if Karisma and Akshay fall in love after having loved SRK and MAdhuri, that means the whole “one love, one soulmate” argument is FALSE. Also, has Indian film ever done a “we both want to break up this relationship so we pretend to be dating” storyline?

    Liked by 1 person

    • This is one thing I think KKHH did well, coz tho SRK did keep spouting the “one soulmate” line, the film itself was having him question him when he realizes he loves Kajol.

      Nothing comes to mind yet for this scenario tho!

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  12. THANK YOU FOR THE WATCH A LONG Margaret and Naina. – Always remember, that the man who wrote “Someone somewhere is made for you” got married twice!

    Liked by 2 people

  13. Hey, someone somewhere is made for me! That’s nice, I guess I should just hang out and wait for the universe to send the Perfect Person to me and if it isn’t fireworks and fate and amazingness, then it isn’t Perfect.

    Or, I accept that this is a romantic fantasy written by someone who ended up getting a divorce a few years later.

    Liked by 3 people

  14. Thank you so so much!!! I love this movie because of how I love SRK and Madhuri, songs and dance.
    Thanks for enduring it for me Margaret!!!

    Yes, it has been very helpful, I was looking forward to watchalong so much and talking about it with my favourite peeps!!!

    Liked by 1 person

  15. Yknow I’m now remembering the intro credits song “Ek Duje ke Vaaste” and how Aditya and his former wife were in that song as one of the “match made in heaven” couples and…that does hit very slightly different after they parted. Not in a super bad way…but def a bit of an irony.

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  16. Pingback: Weekend WatchAlong: Dil To Pagal Hai! 4pm Chicago Time! Let’s Get DANCEY!!!! - MAHARASHTRA.online

  17. I am going to repeat my comment from a discussion post.

    *In DTPH, Rahul and Pooja both had this desire for more in their life and their love satiated that desire. It was also the fact that both were extremely loyal to their friends and family to the point it was hurting them. The ending just showed me their acceptance that their families would love them no matter what their choices and they care more about them as people. DTPH could’ve easily been the prequel to KANK if there was not that change.*

    To me from the start, I feel Yash Chopra’s direction overthrew Adi’s script of one true love blah blah. I viewed it from the start as SRK and Madhuri being really tied into the cultural norms and just living life as it was expected them too. They both wanted their love to be something they chose themselves which didn’t happen at the right moment. SRK reminds me of Fawad in Zindagi Gulzar Hai where everyone wants him to be married to Nisha or a Nisha-like girl and live life a certain way. I think his choice to fall in love with a girl like Madhuri is more his choice to live a way which is not expected of him. Madhuri’s choice is explained more in the film of course but I really understood Madhuri’s passiveness as I think it makes sense in an Indian context. She doesn’t want to lose the only family and her best friend because of her love so she feels this sacrifice is worth it.

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    • I really wish we had gotten more background on Shahrukh’s character. We know Nisha’s family is in London, obviously we know everything about Madhuri’s background. But Shahrukh gives a strong vibe of selfmade man, can’t stop because he only has himself, etc. etc. etc. It would make it easier to understand him if we knew, for instance, that he came from poverty and was estranged from his family. And therefore resisted any connections in anything except work.

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      • I think that’s where Yash Chopra’s direction came in for me atleast. I could just understand that through Shahrukh’s eyes and the way the scenes were performed I could just see that aspect. However I totally understand if others don’t see that aspect. Heck I feel the same way about Jab Harry Met Sejal, where I cannot see the movie in the same way you do even after your beautiful writing on the film. I think thats the beauty of films in a way is they affect us all so differently.

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  18. Pingback: Weekend WatchAlong: Dil To Pagal Hai! 4pm Chicago Time! Let’s Get DANCEY!!!! - News Hour 24/7

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