Happy Father’s Day Again! My weekly fanfic post this morning (it’s really good! You should read it) exhausted me, so this will be a quick-ish post. But it is Tubelight week, I can’t let the day go by without acknowledgement.
Tubelight takes place against the backdrop of the Sino-Indian War. So I thought I should give the bare minimum of background on it, ending with the lasting contribution it has made to Indian popular culture/art/nationalism, Lata Mangeshkar’s “Ae Mere Watan Ke Logo”.
The Sino-Indian war was a result of years of slowly increasing tension between the two countries. Initially, immediately post-Independence, they appeared to be natural allies. Both unaligned, both struggling to recover from decades of colonialism, and both excited about the idea of building some kind of Asian power block of diplomacy and trade.
(Friendly!)
But it was not to be. The tension began to increase after the 1959 Tibetan uprising, when India granted asylum to the Dalai Lama. The border to the Northwest, in Ladakh, had never been a natural border, not one drawn along a geographic element or between two naturally different communities, just a random line on a map with UN approval. Both countries began to maneuver along it, placing outposts and arguing for differing interpretations of where the line should be.
The actual official war began in October, after months of troop movements and occasional shots exchanged between the two countries on the border. It was over almost before it began, lasting only 32 days. It was really a terrible place to have a war, in the middle of mountains, terrible terrain, terrible temperatures, no real possibility of air or sea support, just soldiers balancing on mountain tops and trying to exchange shots.
It was also a decisive Chinese victory. China moved forward until it reached the line it had claimed to be the correct border, and then stopped. India was not able to prevent their movement. The war ended on November 21, 1962.
This was the first test of Indian sovereignty and power and it failed. The whole country had a vague sense of depression, and loss of identity. 2 months after the end of the war, the annual Republic Day celebrations were rather depressed. C. Ramchandra had written a song about the bravery of the soldiers who fought in the war. At first it was to be a duet between Lataji and her sister Asha, but Asha was unable to attend at the last minute. With almost no rehearsal, Lata went out and sang it at the National Stadium in New Delhi. It was an immediate sensation. Nehru, sitting in the audience, was visibly moved to tears. He later declared, “Those who don’t feel inspired by Aye mere watan ke logo don’t deserve to be called a Hindustani”.
In one fated stroke, Lata changed the narrative from “the Indian Army loses” to “the Indian Army does its best and bravely, and we should honor their sacrifice.” To this day, “Ae Mere Watan Ke Logo” has a place next to the national anthem and “Vande Mataram” as top patriotic songs. And it is sung at every Lata concert. Kind of amazing, that a singer from the film industry is the voice of this patriotic hymn.
Anyway, in terms of Tubelight, because of Lata the main memory of the Sino-Chinese war tends to be the sacrifice of the soldiers, not the goals of the war or whether India won or lost. And Tubelight seems to be following that pattern, selecting out of all possible wars, one that is connected with the idea of soldier sacrifice more than the idea of military might or triumph.
It makes me sad that no one is commenting on your Tubelight posts. You seem to do a bunch of research for them.
Also Salman’s friendship with Zhu Zhu and her son seemed kind of similar to Kamal Haasan in Swathi Muthyam. In that film, Kamal Haasan is an autistic person who befriends and eventually falls in love with a woman who is widowed with a young son to raise. It’s a really good movie!
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I don’t do THAT much research, I am picking topics that I already have a background in and can just check a few facts and timelines.
I like doing these posts partly for myself, when I actually review the film (and that post will get plenty of views and comments), I will have already done all this nice background reading and grounded myself so I can better discuss it.
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You know after I saw Raees, I went back and read all of these posts to see how close you were with what the movie turned out to be.
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I like writing them as sort of “guesses”, but I also like writing them as kind of background reading. Even if the film doesn’t follow exactly, I try to bring up things which would certainly have influenced the filmmakers, even if they ended up rejecting the influence. With Tubelight, it might end up having nothing in common with Dr. Kotnis, but considering Dr. Kotnis is the most famous and successful Indian-Chinese romance in history and in film, it would have to have been something they watched and thought about while writing the script. So even NOT agreeing with it is a decision, you know?
On Mon, Jun 19, 2017 at 11:10 AM, dontcallitbollywood wrote:
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Yeah, that makes sense.
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