Sui Dhaaga Review (SPOILERS): A Love Story and a business story, working together like needle and thread

This is a nice pleasant pretty predictable movie, one of those that it is kind of hard to spoil because you can probably guess most of it.  But just in case you really really don’t want to be spoiled, you can read my No Spoilers review instead of this one.

Whole movie in two paragraphs:

Varun lives in a small house on the outskirts of Delhi with his father, mother, and new wife Anushka.  He works at a sewing machine store, opening it every day and cleaning and bringing tea for the owner and so on.  His older brother married into a better off family and lives with his wife’s family now but they visit often.  Varun and Anushka never speak, because she is always rushing to help his mother in the kitchen and he is always rushing to work.  And then one day she asks him to quite his job and work for himself instead, using his skills.  He borrows the neighbor’s sewing machine and sets up in the courtyard of the neighborhood.  Anushka tries to help him find costumers by talking to the other storekeepers and asking them to recommend him.  But then his mother falls ill, they need money for the hospital.  Just when things look worst, Varun and Anushka work together to make a hospital dress for his mother and it is so popular among the patients that they quickly get more orders for it.  They spend a day traveling together to buy the raw materials, only to return and learn the neighbor took back the sewing machine.  In desperation, they ride Varun’s bike many kilometers to where the government is giving away free sewing machines if you can prove you know how to use them.  Varun injured his foot but he and Anushka work together to make the treadle work and get their machine.  INTERVAL

They deliver the dresses the next day and everyone is happy.  Only, the hospital bill is enormous, they will never be able to pay it.  They call on the brother-in-law who recommended the hospital, he talks to the bursar and gets him to lower the bill.  But also tells them that the hospital wants to take Varun’s design for his mother and make it themselves.  Varun and Anushka go talk to the clothes factory, run by Pooja Sarup, an American trained fashion designer with a clothing business father.  She offers to buy their design and hire them, putting it that she is doing them a favor because she could easily just steal the design.  Varun and Anushka don’t want to do it, but take the jobs anyway to help with the medical bills.  The final straw is when Varun gets another hospital bill and sees the mark up being charged to the patients for the simple garments.  He goes back to work and makes a big fuss and is thrown out.  Back home he fights with his brother over it.  And then with Anushka.  Anushka goes back to the factory and Pooja tries to talk her around, but Anushka realizes that Varun was right and leaves.  And they come up with a new plan, Pooja is applying for a contest, they will apply for it as well.  They make their own designs, in secret while Varun’s disapproving parents aren’t looking, and pass the initial round.  For the next, they will have to actually make a line of clothing.  Varun and Anushka ask Varun’s father for help, promising that it will just be one month and they have to try.  They bring together all the other out of work artisans of the neighborhood and find a place to work and weave and sew and make everything from scratch.  At the final fashion show of the contest, it is the common local people of the neighborhood, including Varun’s brother and his wife and small son and his parents, who act as their models.  They receive a standing ovation, but while nervously waiting for the results to be announced, are casually told by two of the judges that of course they won’t be winning.  They go out to wait by the bus stop, but Varun’s father tells him he doesn’t care, he got his self-respect back, watching his son work for himself, and he doesn’t care if he has to keep working the rest of his life, Varun should follow his dreams.  And then they learn that they won the contest after all, and over the end credits we see all the success they achieved in life after that, special shop through Amazon and so on.

Image result for sui dhaaga poster

 

 

 

This movie doesn’t so much have a second half problem as a first half strength.  The first half is just so strong, letting us see both the subtle price of wage labor and how social structures reproduce themselves, and letting us see the subtle difficulties of this young marriage.  And both of those stories are resolved when they get the sewing machine.

But then the second half loses it’s way.  Instead of staying grounded with this couple that just needed a sewing machine, it goes off to clothes factories and hospital fraud and all sorts of other things and then ends up with this ridiculous amount of success, instead of the more modest dreams they had at the start.  It would have felt more complete, to me, if they had gotten the sewing machine and then struggled to pay for space for a shop, and then maybe fought because Varun was sidelining Anushka again as he became (moderately) more successful.  This whole idea of them winning some kind of fashion competition and now their whole lives are made, that just felt ridiculous.

It also felt a little ridiculous that the culmination of the romance was a chaste kiss on the forehead.  One of the people I watched this with pointed out that Anushka has just gotten married after all, maybe a chaste kiss on the forehead is all she is up for.  But I think even with those restrictions, they could have given the audience a little more.

It’s a strange sort of a love story.  The initial idea is good, that a hard working young couple never has the time to be together, he is rushing off for his long early morning commute and long day at work, she is rushing around making breakfast and then dinner, and so on.  But at a certain point you start to wonder, do they sleep together?  Like, literally sleep together?  Do they never talk at night?  Or in the early morning?  You can hold on to this idea of a couple who are two busy to know each other right at the start of the film, we don’t know how long they have been married, maybe it was only two weeks, then it is all believable.  But the film covers several months at least and as it goes on, they are spending all day every day together.  Surely by now they know each other well enough to do a lot more than hold hands.  And surely by now, what with the uneven employment, they can find the time to do more than hold hands.

Post-interval, I would expect for their to be a love song that shows they are really together-together.  And then the conflict could be them fighting after coming to this new understanding.  But instead they are still living separate lives and never talking things out?  It’s just odd.

Oh, and the second half is where the film completely loses it’s way in terms of the reality of what can be accomplished by our characters.  In the first half, it is established that Varun’s grandfather was a skilled tailor/designer/local craftsman.  He taught Varun how to sew and we see Varun casually altering a sari blouse, fixing a torn shirt, and so on.  When it comes time to design his mother’s hospital gown, it is completely believable, a simple sheath with little lace accents and so on sewn onto it.  Varun has the skills and talent to make clothing to order, a nice little ability.

But then in the second half, suddenly he is designing clothes, not just simple alterations to a sheath, but elaborate multi-layered things.  I’m a sewer myself, and I know there is a big difference between sewing on a few lace accents to a basic pattern and inventing capes and contrasting color blocks and all kinds of things sewn right into the pattern.  And then it gets even more ridiculous, when they open up their workshop and suddenly they are weaving and dyeing and all kinds of things.  You can argue that it is the other artisans in their area who are doing it, but then we see Varun supervising, so that still doesn’t make sense.

But I can forgive the film a lot because the two central arguments about marriage and economics are so strong.  The argument for marriage is simple, that a husband and wife should get a chance to be together, should not be separated by their labor but should work together shoulder to shoulder.  The economic one is a little more complex, showing the way that all sorts of factors work to keep those at a lower economic level down at that level.

Varun and his family aren’t poor.  But they also aren’t rich, and it will be very hard for them ever to become it.  They make just enough money by working hard all day to be able to survive and work again the next day.  Even something as simple as a sewing machine is impossible for them, they would never be able to save up the money to buy it, because money goes out as soon as it comes in.  It’s heart surgery for Varun’s mother in this movie, but we can easily imagine a repair to the roof, Varun’s wedding expenses, and so on and so on, all the other ways that any little money they save gets swallowed up.  And in order to make money, to branch out and try something new, you need to have a little bit of money already to support you on your way.

Where do you get that?  Well, there are the government schemes.  But we see the challenges of that here, Varun and Anushka have to travel for miles, and then wait and wait, and finally pass a test before they get their machine.  And they only know about this option because of the neighbor who cheats the system and gets the machines only so he can sell them for profit in the city, another barrier for the poor but honest folks, other people are taking the machines before they can get them in order to sell them.

And there is the possibility of a loan or other business opportunity.  Which has a different set of challenges.  Varun and Anushka wouldn’t even know about this contest if it weren’t for overhearing Pooja.  She has the kind of contacts and knowledge that let her know about these things, while poor but talented Varun and Anushka are cut off from that knowledge.  And when they make their presentation, their poor English and old-fashioned clothing and so on sets them apart from the judges.  Finally, at the competition, they believe they have lost because the judges tell them they would never win as they could clearly not manage it if they did.

That’s the problem, just like needing money in order to make money, you need success in order to make success.  Before the bank will give you a loan, or the foundation a grant, or the company a contract, you have to be smooth and confident and English speaking and just like them.  Otherwise, you are invisible.

Or, as this film says at the end, NOT!  After all that struggle and work, in the end virtue is rewarded and success lands in their lap.  The system works, is what it is saying.  And, fine, it gives us our super-happy ending which is just what I wanted, but it also feels a bit unfaithful to the film that went before and these very real characters that went before.  To have the rich folks wave a magic wand and give them everything they could ever want.

(And then we don’t even get this end credits song!  On the other hand, this song video/promo is brilliant and kind of makes me love Varun)

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19 thoughts on “Sui Dhaaga Review (SPOILERS): A Love Story and a business story, working together like needle and thread

  1. I would like to add a little on the Dhavan’s skill level you talked about in the review. One day I started chatting with the tailor at a boutique I go to on how long he has been doing that and apparently he started at 10. He belongs to a family of tailors in Bihar and everyone learns young. He worked in it till he turned 20 but because it was not making enough money, he started doing odd jobs till 30s and finally ended up in Hyderabad. He started taking up small tailoring jobs which he used do at night and in a few years he partnered with a local designer and now has a successful boutique. He is now so busy that I have to wait for 2 weeks to get my dresses stitched.

    Training for them doesn’t mean doing it as a hobby after school or work. It is more like doing it full time and school is an afterthought.

    Liked by 1 person

    • It sounds like one of those professions I was talking about in my film and nepotism post. It’s not like you are hiring from within the industry (tailoring or film) out of nepotism, it’s that being raised in it gives you a lifetime of experience before you are even an adult.

      It also reminds me of the traditionally trained artists. AR Rahman was a working musician supporting his family as a young child, so were Lata Mangashkar, or Vyjantimala as a dancer.

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      • I agree with you but I hate watching movies with entitled brat with no talent!! For every Jr. NTR or Rana, there are 5 people who absolutely have no idea but still get to make films anyway.

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        • I resent Pranav so much that it has expanded to also make me resent Mohanlal.

          On Mon, Oct 1, 2018 at 10:53 AM dontcallitbollywood wrote:

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  2. I totally agree that the second half wasn’t as good as the first half! I do think that the movie shouldn’t have gone the way it did after the interval where they struggled to get the sewing machine. The whole fashion show thing was a bit too much. But I did really like movie regardless of the second half!

    Another thing I wish they spent more time on the conflict with the brother. They have that big argument and then they just show that they made up during the middle of a song.

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    • Yes, and the brother conflict was so much the driving force for the characters, Varun always had to play it safe because his brother was gone and Varun was left to take care of the parents. And then the whole thing is just gone. Not to mention that his sister-in-law was acting as a model in the competition which was surely very embarrassing for her brother that worked for their competition and that doesn’t get resolved either.

      On Mon, Oct 1, 2018 at 2:17 PM dontcallitbollywood wrote:

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      • Right! I was surprised that the sister-in-law was a model because of that exact reason. It would be been nice if there was a better resolution to that.

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        • Yeah, that was the stuff that reminded me of Dum Lage Ke Haisha where all their marital difficulties and family problems were magically solved without a real resolution.

          On Mon, Oct 1, 2018 at 2:32 PM dontcallitbollywood wrote:

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          • I still think that I liked DLKH more than Sui Dhaaga. I’m curious to see what Sharat Katariya makes next. He’s good at these rural stories but I’m wondering if he wants to maybe try something different.

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    • And also, hi! I was hoping you would comment since it was a new Varun movie 🙂

      On Mon, Oct 1, 2018 at 2:17 PM dontcallitbollywood wrote:

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      • Hey! I actually saw it on Friday but I was too busy this weekend to comment.

        I actually rewatched Judwaa 2 with a couple of friends and it was a lot better than what I remembered it to be. I’m really excited about Varun working with his dad again!

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  3. I liked this movie way more than I thought I would. I think the brother rivals bit was welled played out. We hear first that the brother lives with the wife’s family and its weird. Then we see they are awful and he is powerless. I love the speech when Varun finally stands up to his father. As to the unrealistic aspect of the ‘factory’ they set up, I think it worked. The idea is that they needed the whole neighborhood and all their long unused skills. The father has to teach him how to loom. Designing those clothes…that’s something else. I faithfully watched the credits to see who did designed them and it must have been just the costume designer! Anushka said in an interview that she had to wear her sari for real and not have it pinned everywhere like they usually do. She said that really helped her understand this character. I spent a lot of time watching that sari and it was so so realistic and made her character believable. A fave moment for me was when they come out on the runway and you know that the real Varun and Anushka have done that many times. They are super stars pretending to be simple pretending to be comfortable on a runway. I thought that scene was so subtly good.

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    • I hadn’t even thought of that second layer to the run way scene! You are right, it was really well done. And I think what bothers me with the brother resolution is less the brother and more the sister-in-law. We have that scene where she sides completely with her brother, even to the point of threatening to leave her husband, and then next time we see her she is supporting their family. I suppose we can fill in that after the confrontation, the brother and his wife had a serious talk and it resulted their marriage bond being stronger and her supporting her husband against her family, but it would have been nice to seen that happen.

      Thanks for the info on Anushka’s sari! That does fill in a lot, and also explains why her sari looked so different, I am sure it had to be wrapped and held more closely without the pins to support it.

      On Thu, Oct 4, 2018 at 5:24 PM dontcallitbollywood wrote:

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  4. Yes, the turn around of the sister in law is never shown, but I didn’t really care to know; both of them were so unpleasant. I LOVED that the father loved soap operas and when the mom was sick he filled her in on what had happened. That was so touching. You know they had an arranged marriage that turned to love. Shown but not told. You know the more I think about this movie the more I like it!!

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    • I loved the parents! They were so caring to each other, in the background in between all the other hurried parts of life. And so united, we never really saw a moment of dispute or disagreement between them in any of the issues that came up, from her medical bills and concerns to his disapproval of Varun. And that moment at the end when they held hands on the runway was so sweet, and the turning point of the show from awkward and strange to something really beautiful.

      On Thu, Oct 4, 2018 at 8:40 PM dontcallitbollywood wrote:

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