Notebook Review (SPOILERS): A Love Story That Starts With Forgiveness and Ends With Hope

Loved this movie! The more I think about it, the more I like it. Really, you should watch it. Don’t expect groundbreaking brilliance, but if you want sweet happy little stories, this would be it. And if you can see it, avoid this review and read the no spoilers review instead.

Whole plot in one paragraph:

I love this plot, because the idea is so simple and so easily translatable to any time and place you need. Our hero Zaheer Iqbal is a young soldier feeling lost, he takes a job teaching at a one room school in Kashmir. He is bored and alone and starts reading a notebook left behind by the last teacher, a young woman Pranutan Bahl. Her experiences and thoughts inform his reactions, he bonds with the kids and starts to feel cleansed. He goes to the city to find her and learns she is engaged. He also learns that his kids are failing, because he isn’t a good enough teacher for them. So he offers to leave at the end of the term. Her engagement falls apart and she returns to teaching at the same school, and finds her notebook there with his notes added. She falls in love with him through the notes he left. And finally, he surprises her one day at school, showing up just in time to save her from a disgruntled parent. It ends with them having tea together on the porch of the school.

Image result for notebook 2019 poster

You could set this same plot in the American West, in present day American Alaska, in Thailand (where the original was set), basically any time or place that has a remote school. There’s something really significant and special about the one room school house and the teachers there. It combines the lonely reflectiveness of the hermitage, with the sacrificing personal growth of parenthood. It is unique to each person, and yet the rhythm of the school year gives it a universal pattern. This movie reminded me of Those Happy Golden Years, Laura Ingall Wilder’s memoir of her years teaching school. And Anne of Avonlea, about Anne Shirley teaching school. And all the other books I have read about that particular experience.

I kept waiting for the film to shift, I kept thinking “I should enjoy these adorable children and soft lessons about human kindness and doing the right thing, because it’s going to turn into a big drama any minute now”. And it never does! The most heroic thing and the most romantic thing our hero and heroine do is simply try to be good teachers and help these kids learn. It’s a lovely small simple lesson, that all you have to do is the caring thing, and that is heroic and romantic enough.

It’s especially lovely in context of the Kashmir setting, with a Hindu Pandit hero and a Muslim heroine. His family was thrown out of their homeland, and he reacted by coming back and teaching school. Her parents were killed, and she reacted by teaching school. The father of one of their students is disturbing, has a gun, seems odd. And they don’t call the police or the army on him, they just focus on wanting his son to have a chance to go to school. There’s a late in the film reveal that it was her father who helped protect his family, may have died doing it. It may be a tad too much of a coincidence, but then it is also about them both coming from the same place of violence and confusion, and both being raised to react with love instead of hate, so it makes sense that their parents would have known each other.

The underlying beauty of the film is in this lovely remote floating school house and the adorable children who come to it. But scattered on top is lots of fun drama. His first weekend off, Zaheer goes back to Srinagar to surprise his girlfriend, discovers she is seeing someone else, confronts the guy, and has a big fight scene with him (despite a broken arm). That’s fun! And then at her wedding, Pranutan overhears a pregnant woman confronting the groom about it being his baby, and dramatically sweets out in full bridal gear. That’s fun too! And there’s a storm and a dramatic break-up and all kinds of good stuff to keep you on your toes.

What I like most is the turn away from violence. It’s in every little detail of the characters and the story. For instance, the trauma our hero is recovering from is when a little boy crossed the border chasing sheep, Zaheer yelled at him to stop but it was too late, and he triggered a landmine. Zaheer didn’t shoot him for wrongfully crossing the border, or chase him because he was trying to arrest him, or anything stupid like that. Or the really stupid option, that the kid actually was a threat and Zaheer didn’t realize it. Straight through, Zaheer’s instinct was to try to protect the child, the only reason he was chasing him was because he wanted to protect him. And this is treated as normal and obvious and human. The film never even considers those darker possibilities.

Maybe this film should not have considered the possibility of Salman “singing” again

That’s way the final sequence is so alarming. This one student has a different kind of a father. He is silent, he carries his ax in a disturbing way, his children and wife seem nervous around him. But there is no violence shown, and it isn’t even clear what is happening in that house that is so disturbing. Does he not want his son to go to school because he is a Kashmiri separatist? Or does he not want his son to go to school because he wants to keep control of his family? Or does he not want it because he thinks there is no future in education and would rather his family maintain their traditional profession? The film never definitively answers that question, because it doesn’t really matter. This is an angry scared father who has no hope that his son could have a better life than he could. And that alone is terrifying, because this child matters, just like all children matter. It doesn’t have to be about anything bigger than that. And after having watched the rest of the film, we the audience know that Zaheer is willing to risk his life so this child can go to school. This is the moment when anything can happen.

But, thank goodness, nothing bad happens after all! This film gets a happy ending, and more importantly a hopeful ending. The father is talked down, and goes away, leaving his children to go to the school like they wanted to. These kids can go to school, the couple can get together, and Kashmir can find peace, one small step at a time.

What I’m saying is, SO MUCH BETTER THAN KEDARNATH!!!!!

2 thoughts on “Notebook Review (SPOILERS): A Love Story That Starts With Forgiveness and Ends With Hope

  1. `
    I saw it! And, we were the only two people in the theater.

    And, everybody should go watch it.

    Although, I’m still worried about the kid of the father-with-the-gun in the last scene. Is he going to go home to dinner after that?! What’s he going to do? I don’t think the father is won over, yet.


    • His Mom seemed to have her head on straight, and based on the other kids whose families were willing to make the effort to send them to school, I am going to think that there were families in the community who might have supported them. So maybe his father will go away for a long time and the kids and their Mom will be supported by the rest of the community. Or, maybe he will just live at the school until he gets a scholarship.

      On Sun, Mar 31, 2019 at 9:12 PM dontcallitbollywood wrote:



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