This is such a delightful little surprise of a movie! I really hope a lot of you were able to watch it. And if you weren’t, put it on your list to watch soon, because it is really wonderful.
Look at Salman Khan! Producing a really good movie! A good movie in every way, great story and script (lifted from a Thai film), good actors, good songs, good direction. And a nice small film too, a cheap film that can make a solid profit. It’s too bad everyone around the movie besides Salman was too freaking STUPID to appreciate it.
Here’s what irritates me. BollywoodHungama in their review said “NOTEBOOK is a niche, multiplex-type urban film”. Why? Why is it a niche multiplex type film? Because it isn’t filled with insane violence? Because it has pretty visuals and good songs? Because it has an intelligent plot? And “everyone” knows that poor people don’t like those things, poor people are dumb and only want anger and stupidity. If this film had gotten a decent promotional campaign and release, I am sure it could have found an audience and made a decent box office.
This is also showing why everyone casts star kids. If you made this same movie but with Janhvi and Tiger, it would have fixed all the promotion problems. The media would have written constant articles about the celebrity kids, twitter would be trending for or against them, and everyone would show up for this film out of curiosity to see how they did, and then end up enjoying it. Heck, that’s what happened with Salman’s Hero remake. But instead they made this movie with nice solid outsider actors (okay, Nutan’s granddaughter, but she wasn’t exactly instagramed her whole life), and paid the price in a total lack of publicity. Salman did his best, tweeting songs and stuff, but I didn’t see any news stories planted or much buzz anywhere. Except here! All you nice people nagged me and nagged me and I actually went to see the film and really really enjoyed it.
(This really is an awesome song, and very in keeping with the feel of the movie)
That’s the kind of movie it is. If you watch the trailers and the songs and you enjoyed the feel of them, you will also enjoy the movie. It’s the kind of nice small movie that would find an audience back in the old days when people actually watched trailers for themselves, instead of just listened to buzz and opinions about opinions. If Salman Khan’s film company can learn to keep up with the times and update their promotional strategies, and keep making good solid movies like this, Salman could maybe finally retire.
Okay, this is the No Spoiler review, but I am going to give a mini-spoiler. I spent this entire movie stressed, because it felt like the kind of film that would be happy and idyllic and simple, and then take a sudden turn for the tragic. And, it didn’t! There is no sad twist that you need to fear and wait for. Relax, enjoy the love, be happy.
SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS
Whole plot in one paragraph:
I love this plot, because the idea is so simple and so easily translatable to any time and place you need. Our hero Zaheer Iqbal is a young soldier feeling lost, he takes a job teaching at a one room school in Kashmir. He is bored and alone and starts reading a notebook left behind by the last teacher, a young woman Pranutan Bahl. Her experiences and thoughts inform his reactions, he bonds with the kids and starts to feel cleansed. He goes to the city to find her and learns she is engaged. He also learns that his kids are failing, because he isn’t a good enough teacher for them. So he offers to leave at the end of the term. Her engagement falls apart and she returns to teaching at the same school, and finds her notebook there with his notes added. She falls in love with him through the notes he left. And finally, he surprises her one day at school, showing up just in time to save her from a disgruntled parent. It ends with them having tea together on the porch of the school.
You could set this same plot in the American West, in present day American Alaska, in Thailand (where the original was set), basically any time or place that has a remote school. There’s something really significant and special about the one room school house and the teachers there. It combines the lonely reflectiveness of the hermitage, with the sacrificing personal growth of parenthood. It is unique to each person, and yet the rhythm of the school year gives it a universal pattern. This movie reminded me of Those Happy Golden Years, Laura Ingall Wilder’s memoir of her years teaching school. And Anne of Avonlea, about Anne Shirley teaching school. And all the other books I have read about that particular experience.
I kept waiting for the film to shift, I kept thinking “I should enjoy these adorable children and soft lessons about human kindness and doing the right thing, because it’s going to turn into a big drama any minute now”. And it never does! The most heroic thing and the most romantic thing our hero and heroine do is simply try to be good teachers and help these kids learn. It’s a lovely small simple lesson, that all you have to do is the caring thing, and that is heroic and romantic enough.
It’s especially lovely in context of the Kashmir setting, with a Hindu Pandit hero and a Muslim heroine. His family was thrown out of their homeland, and he reacted by coming back and teaching school. Her parents were killed, and she reacted by teaching school. The father of one of their students is disturbing, has a gun, seems odd. And they don’t call the police or the army on him, they just focus on wanting his son to have a chance to go to school. There’s a late in the film reveal that it was her father who helped protect his family, may have died doing it. It may be a tad too much of a coincidence, but then it is also about them both coming from the same place of violence and confusion, and both being raised to react with love instead of hate, so it makes sense that their parents would have known each other.
The underlying beauty of the film is in this lovely remote floating school house and the adorable children who come to it. But scattered on top is lots of fun drama. His first weekend off, Zaheer goes back to Srinagar to surprise his girlfriend, discovers she is seeing someone else, confronts the guy, and has a big fight scene with him (despite a broken arm). That’s fun! And then at her wedding, Pranutan overhears a pregnant woman confronting the groom about it being his baby, and dramatically sweets out in full bridal gear. That’s fun too! And there’s a storm and a dramatic break-up and all kinds of good stuff to keep you on your toes.
What I like most is the turn away from violence. It’s in every little detail of the characters and the story. For instance, the trauma our hero is recovering from is when a little boy crossed the border chasing sheep, Zaheer yelled at him to stop but it was too late, and he triggered a landmine. Zaheer didn’t shoot him for wrongfully crossing the border, or chase him because he was trying to arrest him, or anything stupid like that. Or the really stupid option, that the kid actually was a threat and Zaheer didn’t realize it. Straight through, Zaheer’s instinct was to try to protect the child, the only reason he was chasing him was because he wanted to protect him. And this is treated as normal and obvious and human. The film never even considers those darker possibilities.
That’s why the final sequence is so alarming. This one student has a different kind of a father. He is silent, he carries his ax in a disturbing way, his children and wife seem nervous around him. But there is no violence shown, and it isn’t even clear what is happening in that house that is so disturbing. Does he not want his son to go to school because he is a Kashmiri separatist? Or does he not want his son to go to school because he wants to keep control of his family? Or does he not want it because he thinks there is no future in education and would rather his family maintain their traditional profession? The film never definitively answers that question, because it doesn’t really matter. This is an angry scared father who has no hope that his son could have a better life than he could. And that alone is terrifying, because this child matters, just like all children matter. It doesn’t have to be about anything bigger than that. And after having watched the rest of the film, we the audience know that Zaheer is willing to risk his life so this child can go to school. This is the moment when anything can happen.
But, thank goodness, nothing bad happens after all! This film gets a happy ending, and more importantly a hopeful ending. The father is talked down, and goes away, leaving his children to go to the school like they wanted to. These kids can go to school, the couple can get together, and Kashmir can find peace, one small step at a time.