Chandigarh Kare Aashiqui Review (No Spoilers): Ayushmann’s Living in Vaani’s World

What a surprisingly good movie! Not perfect, but my favorite Ayushmann Issue Movie so far. Because it isn’t an Ayushmann movie actually, it’s Vaani’s movie and she is wonderful in it.

It’s so rare for us to truly get the heroine’s perspective of a film. But this movie is maybe 60% Vaani and 40% Ayushmann. We see her start her day, walk to work, be with her friends, again and again we just have Vaani’s face conveying things to the audience, we are in her shoes. Ayushmann is a bit silly, a bit superficial, and just the love interest.

Chandigarh Kare Aashiqui review: Vaani Kapoor impresses in this unique love  story

It’s an Abhishek Kapoor movie, which is kind of interesting, because his career has journeyed from being 100% about the male characters to this film, which is more female than male. Of course, his films have always been about internal journeys and difficult society breaking decisions, whether it is forming a rock band (Rock On) or dealing with friendship and religious riots (Kai Po Che) or falling in love with someone you shouldn’t (Kedarnath). What I find bravest about this movie is that he is dealing with another big Issue thing, but he does it in a light way and actually gives it a happy ending!!!!!

That’s both the strongest and weakest part of the film. On the one hand, the choice to deal with things in a happy light way is brave, saying that “issues and personal problems can be overcome, life can be happy”. But on the other hand, in some parts it does feel too easy, too light.

Mostly thought, I LOVE IT!!! Because Vaani is AMAZING. And her performance is given space to breath, given proper attention. The way the camera watches her watching herself in the mirror, the way she so sweetly starts to fall in love, and the strength and fearlessness she has underneath it all. Yes, it’s a light film. But the things her character is dealing with inside are not light.

Chandigarh Kare Aashiqui: Ayushmann Khurrana and Vaani Kapoor's Modern-Day  Love Story To Release in Theatres on July 9! | 🎥 LatestLY

There is a tendency for films to deal with women who have been hurt as “broken”. A rape victim, a spousal abuse victim, whatever it is. She is a survivor, she is traumatized, but when a film hits that too hard, makes that ALL she is, it starts to overlap with the idea of women being “ruined”. There is a balance, a way of saying “yes this is a thing that affects this person for life” without saying “this is the thing that will define her and keep her from ever being ‘normal'”. Personally, I find it braver for a film to say that a woman can be happy, can have a good life, even after a bad thing happens to her, than to say “this bad thing happened and she can NEVER BE HAPPY AGAIN”.

Watch this movie if you are curious to see a big serious thing treated as just part of a light happy romance story. And if you want to see a pitch perfect amazing performance from Vaani that is handled just right.

Oh, and I agree with the casting. I know it’s a controversial question, but in this movie Vaani is a woman playing a woman so they cast a woman.

7 thoughts on “Chandigarh Kare Aashiqui Review (No Spoilers): Ayushmann’s Living in Vaani’s World

    • She did so good! And it reminded me of her performance in Befikre, surface strength and cool hiding insecurity.

      On Wed, Jan 12, 2022 at 12:00 PM dontcallitbollywood wrote:

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  1. I hope I’ll get a chance soon to watch this film. I do already have an opinion about the casting, though. Eventually, I think there will be nothing wrong with trans people playing cis and vice versa. But at this point, I think it’s unfortunate to cast a cis woman in this role, especially in a movie aimed at a cis audience, because it misses out on a major teaching moment.

    And I’ve been an uneducated cis person on the receiving end of one, so I know how powerful they can be: There was this new actress on “Supergirl” that I didn’t know was trans until her character came out to her friends. That kind of reveal really drives it home that you can’t tell the difference. But it’s just not that immediately believable if the actress is known to be cis.

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    • On the flip side, in terms of relating to the character, the audience would relate to her as a cis woman and then experience the reveal of the character. If they had cast a trans actress, it is unlikely that the character reveal could have been hidden. You can’t cast an actress in a major Hindi movie without people investigating her past. There have been trans actresses in multiple movies in India, and everyone knew they were trans before they saw the movie.

      On Mon, Jan 17, 2022 at 8:06 AM dontcallitbollywood wrote:

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