Made in Heaven Episode 6 Review: Munglik

This is a definite “it all falls down” kind of episode. After the holding pattern of the last episode, everything happens all of a sudden. And because of that, the wedding story gets a bit short shrift. (oh, and index of all my Made in Heaven reviews is here)

The wedding story is very short and simple, which is too bad because I really liked the bride in this storyline, she is immediately charming and just kind of fun. The groom’s family is from London, the bride’s family is local. The bride was adopted, but Sobhita uses their private investigator to find her birth certificate for the astrologer, who declares her “munglik” and so she must marry a tree. The parents all treat this as a joke, ha-ha, it isn’t serious or real, we will just do it so we can sleep at night. But the groom is furious when he finds out, feels like he doesn’t know his bride any more, blames her. It’s an interesting little story, because it positions the bride in a can’t win place. She was happy going along with the ceremony so long as she could pretend it didn’t matter or mean anything, she had made her peace with her decision. But now her fiance is blaming her for something she was force into by his parents, making her question her own decision. As a woman, she is carrying the whole force of all the competing ideas of society. That is what it means to be “munglik”, to have to take the blame for everything that could happen.

Phillauri didn’t have to do anything else to be progressive, just the idea of the groom being the “manglik” one instead of the bride is enough

Which is the theme of the episode. Everyone being blamed for things that are not their fault. This is the episode when Arjun is arrested, the thing that has been hanging over him all along. He is dragged from his apartment, calling out to the daughter from downstairs to call Tara. He is thrown in jail, and they can’t get him out for two days, and only then because they pay an enormous bribe. Tara, who has been debating her relationship with Jim, has no hesitation in insisting on his assistance in helping Arjun. As meaningful as their embrace late in the episode, is the way she immediately uses every connection Jim has to to help him. They get him out, but not until after he is beaten for refusing to have sex with a guard. And then the darkest reveal of the episode, the origin of his shame and why he keeps remembering his first love, his mother found them together and beat him with a cricket bat until his hand was broken. It comes out after the reporters come to their door and his father speaks up for him, says that he loves his son and he has done nothing wrong. Finally Arjun has the catharsis to confront his mother, the source of all his struggle with his identity, his argument that no one would understand if he told the truth, that his is just the way the world is and how you have to be.

Sobhita has her own catharsis when she goes to Kalki’s house and destroys it. And Kalki has a realization too, in therapy, after talking around and around and trying to blame Sobhita for changing, for making Jim fall out of love with her, she realizes that she just misses Sobhita, that it is the betrayal of her friend that was the terrible thing, and she has to take responsibility for that. It’s Jim who is being left out of this, a sign of how shallow he is as a person, that these two women find it is their relationship with each other more than their relationship with him that drives them.

And then there’s Arjun. He gets out of jail, and he is furious, and planning to sue his landlord. Until he talks to him and Vinay calls him “brave” and he understands, without the words being said, that Vinay is gay too, that Vinay is as trapped as he is, that suing him would just be sending one more gay man to jail.

The episode moves forward the most the storyline of Shivani and Shashank Arora (the videographer). Shivani comes to the office to ask for her job back, and Shashank offers her a ride home. She gives a fake address, but he finds out the truth when she leaves her phone in the car. All along Shashank has been the cynical one, with little sympathy for the people he sees in his camera, enjoying teasing Shivani for her pretensions and dreams. This is a wake up call for him, to see where she really comes from, the world of Delhi he has been blind to all along, the neighborhoods ravaged by drugs and the people struggling to survive. He encourages her to come back to the office and we are unsurprised to see Arjun greet her at the end of the episode with a smile of welcome and a glass of water.

And then there is one other “munglik” character, Vijay Raaz, the gangster. At the start of the series, the money for the business came from Vijay and Jim Sarbh. Vijay was the scary one, the threatening gangster, while Jim Sarbh seemed safe and reliable. But now we are halfway through and Jim Sarbh is more and more the one who causes the danger, while Vijay Raaz has been unfairly given the “munglik” title. And so Sobhita and Arjun go to meet him and strike a deal. He is friendly, he is okay, he understands their money struggles and agrees to a partnership in the business instead of paying back the loan. It’s a small turn away from the wealthy power brokers of the city towards the real people of the city, away from the international Jim Sarbh types and to the folks who live there. Those who are called “munglik” but aren’t, who are cursed by their circumstances but are not in themselves curses to bear.

Boy, now that I write it out, there really wasn’t much in this episode! I guess all the time spent making sure we truly appreciated the impact of Arjun’s arrest and how terrible it was meant there wasn’t really time for any other significant plot points.

4 thoughts on “Made in Heaven Episode 6 Review: Munglik

  1. I think the playing out (and it will go further) of Arjun’s story was very well done. I like your contrast of the ‘gangster’ and Jim. This also develops later and more fully. These are not the usual tropes and I liked that a lot. It was at times hard to watch because it was often hard to find someone to empathize with.


    • I just started the final episode, and what is really hitting me is how subtly good Arjun’s performance is through the show, as he gains confidence and surety within himself the further he comes out of the closet. There’s definitely a balance in the two central performances, Sobhita begins as the confident “together” one who is carrying Arjun, and as the series progresses, Arjun gets stronger and stronger and more and more sure of himself while Sobhita falls apart. It lets the two performers both go on interesting journeys in their performances, and it’s also really good for letting us see their relationship, sometimes one leans on the other, sometimes it reverses, but it balances out in the end and that’s a friendship.

      In this episode, Arjun is the “munglik”, the one who is cursing the company by making them ashamed of him. But he learns to turn that around, to accept what he is instead of running from it. I’m still not sure exactly what the message was of this wedding couple (beyond the fiance being a jerk for blaming the bride for something his parents are making her do), maybe it was even pro-munglik? As in, pro the idea that if no one really takes the ceremony seriously and she wants to do it, why be ashamed?

      On Tue, Mar 12, 2019 at 10:27 AM dontcallitbollywood wrote:



      • I also think there is a subtle message that sometimes the daughter in law knows better than the son what is important to his parents and what we call “shalom byit” peace in the house. She is right to do it; her husband is wrong and so she does the right thing. I think that Arjun is the most interesting character and I think Zoya did that most definitely on purpose!!


        • Yes! Oh, that is interesting! I hadn’t thought about that theme, but it picks up in most episodes. The daughter-in-law truly is becoming the daughter of her family, she is the one thinking big picture about the whole family and what they all need, the groom hasn’t been trained to think that way (because patriarchy and privilege). In each episode, the groom is focused on what he wants, while the bride is thinking about something bigger, even Deepti worried about her children.

          And that’s part of Arjun’s uniqueness, isn’t it? He has the sensitivity and emotional intelligence to think “like a woman” in terms of family and the bigger picture. It’s why he is so good at his job, and it’s why he has been lying to his family all these years, instead of selfishly considering his needs, he has thought about theirs. And why he befriends the high school girl downstairs, and is nice to Jazz at work, and all the other moments that show his awareness of the people around him. His “weakness”, the thing he always had to hide and which made him feel less than others, is also a strength, because it lets him see the world from below instead of above like other men do.

          On Tue, Mar 12, 2019 at 10:37 AM dontcallitbollywood wrote:


          Liked by 2 people

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