Starter Kit: Actresses, Part 2, Neetu to Diana Penty

I already put up one random actress post based on the first people I remembered off the top of my head. This time I want to bring together a whole bunch of random smaller actresses that I can cover quickly.  With some fairly random suggestions of films you could watch to get an idea of them, since all their films are kind of the same, one film is as good as another.  This should kind of fill in the background players of the industry, the minor artists who help bring it all together.

Some of these actresses went through their whole career without ever really reaching the highest level of stardom, or reaching it very briefly.  Some of them reached the top level and then retired quickly, not making much of a mark in film history.  Some of them are still at the beginning of their careers and we don’t know yet what will happen.  Some of them seem to have chosen to take a different career path, do fewer and higher quality films.  A lot of them I can combine the “starting out” and “established” categories, because they somehow ended up being permanently established as an actress that is just starting out.  The point is, I don’t have very much to say about any of them!  So I can knock them out quite quickly.

 

 

Raveena Tandon

Her father was a director/producer, she was launched in 1991 opposite Salman Khan and quickly became popular.  Mostly she was known for her sexy dance numbers.  She was famous and the audience liked her, but she never reached the top level of the 90s actresses, more about being arm candy for the hero than taking the lead in her own films.  That changed dramatically around the time of her marriage when she suddenly switched to art films and quickly gained recognition on this smaller stage.

Launch Film

Patthar Ke Phool: Action movie opposite Salman Khan, nothing terribly unusual for Raveena to do, but it was a successful film and got her noticed.

Starting Out

Parampara: One of many similar films, I just picked it because I’ve seen it and it’s hilariously bad.  3 heroine and 3 hero film, Raveena does a good job, but is just one of the crowd of the cast.

Film That Changed Everything

Mohra: This is what Raveena to this day is best known for her.  Or rather, her one song from it is what she is most known for.  An all time classic sexy song, ripe for homages and remixes.

 

Established Films

Zamaana-Deewana: Again, a fairly random selection.  One of many films she did in the post-“Main Cheez Badi” era in which she had a slightly higher profile but was still playing heroine roles.  Only, I really really like this film.

Grand Finale Film

Not applicable, she was never really big enough to need this, she just quietly left the mainstream and started doing something different.

Married Films

Daman: Her first big art film, won her a National Award, this is the second thing you think of when you think of Raveenaji.  Well, 3rd.  First “Tu Cheez Badi”.  Second that Akshay Kumar jilted her in a complicated way that involved at least 2 other women.  And then third, Daman

 

 

Neetu

Child actress who moved on to being a peppy teenage heroine, very popular and distinctive, but never really lead a film on her own or moved out of that teenage level.  And then married and retired at 21, only to come back decades later playing the occasional cameo type role.

Launch Film

Yaadon Ki Baarat: Not her first film, but her breakthrough role as an “adult”.  She was still only 15, but she was playing the role of a heroine.  One of 3 heroines, and not the one with the biggest role, but she had a fun song number and a few lines of dialogue and made an impression.

(star is born)

Starting Out

Not Applicable, she was started by the time Yaadon Ki Baarat hit, it was easier to break into the industry back then.

Change Everything Film

Khel Khel Main: Cute fun college movie which not only got Neetu to a slightly higher level of fame, also got her to a slightly closer level with her co-star and future husband Rishi Kapoor.

Established Films

Doosara Aadmi: Another Rishi movie.  And another multi-starrer.  But one where she had slightly more to do than just be peppy in songs.

Grand Finale Film

Not applicable, she was working on a whole bunch of films at the time she got married, she finished them all and they chugged out over the next few years, but there wasn’t one in particular “farewell” performance.  Plus, Rishi kind of surprised her with the engagement, so she couldn’t really plan for it anyway.

Married Films (all of them opposite her husband, it goes without saying, Neetu always liked having him there for moral support and Rishi likes being there to protect her, whether she was his funny little teenage costar or his wife of 25 years)

Love Aaj Kal: Her first time on screen in 25 years, a tiny appearance right at the end, which made you immediately fall in love with her.

Do Dooni Char: A real full-fledged role, a kind of sequel to all her young romances with Rishi, now seeing them as a middle-aged couple who are still in love.

Jab Tak Hain Jaan: A gorgeous perfect cameo appearance, which instantly makes you believe in true love and happiness in just a few minutes of screentime.

Besharam: A movie we will all pretend does not exist.

 

Sushmita Sen

My personal favorite of the 90s beauty queens.  She won the same year as Aishwarya Rai and was another massively popular and famous model.  But she took her public persona in a very different direction.  She wanted to be a single mother and fought a massive public court battle for the right to adopt as a single woman.  She openly lived with her boyfriends.  She took film roles because they were fun but didn’t seem to calculate her career out.  She adopted a second daughter a few years back, and lives a happy glamorous single life that we should all be very jealous of.  Complete with Shahrukh occasionally helping her and her daughters with their bags at the airport, while her oldest daughter has a little mini-teenage girl heart attack.

Image result for shahrukh sushmita airport

(I love these girls.  I want to adopt them!)

Launch Film

Dastak: She played herself, which is weird, “Sushmita Sen winner of Miss Universe”.  Who is threatened by a stalker, eventually kidnapped, escapes, etc.  It didn’t make much of a splash, but she didn’t need a splash she was a beauty queen, everyone knew who she was already.

Starting Out

Not really applicable, she started as a glamorous type who wasn’t going to be the sweet traditional heroine and wasn’t easy to cast, and she stayed there.

Film That Changed Everything

Biwi No. 1: Sush has a wonderful time playing the cheerfully amoral (not evil, just amoral) mistress of Salman Khan, being glamorous and happy and sexually free and confident.  Plus, got to be in an all-time fun song hit.

Established Films

Main Hoon Na: Maybe her best film.  Strong confident sexy woman who is attractive because she is strong and confident and sexy and our hero wants an adult heroine, not a little innocent girl type.

Grand Finale Film

Not applicable.  Sush always took smaller roles if they were good for her, she just slowly started talking more smaller roles instead of lead parts, and experimenting with art films a bit, without any big breaking point.

“Married” Films

It Was Raining That Night:  English/Bengali bilingual art film.  Not the kind of film you would expect a former beauty queen to be in.  But then you also wouldn’t expect her to be happily unmarried at 42, or to fight a massive court battle in order to be allowed to be a mother at age 24.

 

Dia Mirza

My second favorite beauty queen of the 90s!  Went a less obviously different way than Sush, but still a bit off the beaten path.  Mixed in mainstream and art films, started her own production house, has a male bestie, and got married late (like, after 30).

Launch Film

Rehna Hai Tera Dil Main: I don’t know how many people think of this as a Dia Mirza film, and how many people think of it as a Madhavan-young-and-cute film.  I suspect the population divides neatly along gender lines.  Anyway, great soundtrack, failed movie, Dia got noticed but then she was already noticed thanks to being a beauty queen.

Starting Out/Established Films

Dus: Fairly typical “Dia Mirza” kind of role.  Only onscreen for a little bit, but makes you like her right away, neatly slots in with the rest of the ensemble.

Big Grand Finale Film

Love Breakups Zindagi: Dia produced and starred in it, it was her big shift to producing films, and it made a decent tiny profit, enough for her to stop acting and focus more on producing.

Married Films

Sanjay Dutt Bio: I just saw this news, and I am FASCINATED!  Supposedly she is playing Sanjay’s current (third) wife.  It’s a great role for Dia, no doubt it will be a very small part (casting Ranbir says they are focusing more on the younger years), but it has to be someone who makes an impression and we like right away.

Special Mention Film

Tezeeb: There’s no good place to put this film, but I have to mention it.  It was one of Dia’s earliest performances, she hasn’t done anything like it since, and it is brilliant.  She plays a sweet innocent mentally retarded young woman who lives with her older sister and brother-in-law.

 

 

Amrita Rao

A cute little actress.  She had a few roles in major ensemble pieces, and formed a popular pair with Shahid Kapoor, then moved on to TV and got married and is currently in the process of fading away.

Launch Film

Ab Ke Baras: A fairly typical launch film, Amrita opposite another newcomer, didn’t make much of a splash, but got her a few connections and got her noticed.

Starting Out/Established Films/Shamita Films

Ishq Vishk: Cute cute college romance film.  A bit more sexually explicit than people were used to, with two very very young looking leads, but the kind of special chemistry that gets them noticed.

Vaah! Life Ho Toh Aisi: Smaller film with a first time producer, ripoff of Hollywood films like Here Comes Mr. Jordan and Death Takes a Holiday, Shahid has a lot more to do than Amrita.  Kind of typical for her roles, small pretty young heroine parts without much to do.

Vivah: Sweet family romance in which Amrita plays the perfect innocent angelic heroine.  Not a very interesting role, but her chemistry with Shahid helps to carry the film.

Grand Finale Film

Not applicable, she never was there enough to need a big farewell

Married Films

Meri Awaaz Hi Pehchaan Hai: A television show.  After her career dropped off, Amrita moved to TV

 

Shilpa Shetty

Young teenage model turned actress, she always had a screen presence that was slightly too sexy for the usual heroine parts, a little too mature.  She transitioned into slightly more adult parts in her later years, then got married and moved in to producing

Launch Film

Baazigar: Kajol’s second movie, Shahrukh’s 8th (and only 2nd as a solo lead), it was a young cast all around.  Shilpa was over-shadowed, but it wasn’t her fault, no one could have stood up to the SRKajol chemistry.

Starting Out

Main Khiladi Tu Anari: Fun sexy songs, great chemistry with Akshay Kumar her co-star/boyfriend (remember that messy thing I mentioned with him and Raveena?  Yeaaaaaah.  There was a bit of an overlap), but not exactly a “heroine” role, the real romance was between Akshay and Saif and Shilpa wasn’t nearly saintly enough to be the heroine.

Big Change Everything Film

Dhadkan: Finally a heroine with some real substance!  A love triangle between Shilpa, Akshay, and Sunil Shetty.

Established Film

Dus: I just really like Dus.  Plus, her role is great, sexy and confident and competant and gets Sanjay Dutt!

Grand Finale/Married Film

She opened her production house with Dishkyaoon and appeared in an item song in the film, which was her first role since marriage.

 

Mahima Chaudhry

A good career, but a very short one.  Went from launched to playing an over the hill version of herself in a tongue-in-cheek cameo in only 8 years.  In some ways it was the problem of starting too high, her launch film gave her the best role she would ever have, there was nowhere to go but down.

Launch Film

Pardes: You have to watch the second half!  The first half has her as a stereotypical village belle type.  But the second half lets her dig in and do different stuff, including an awesome fight scene.

Starting Out/Established Films

Dil Hai Tumhaare: No real reason to pick this instead of the many other movies in which she played the second heroine, but it’s gloriously insane and I’ve reviewed it so I might as well.  Also, PUPPET!!!

Grand Finale Film

There really wasn’t one, she just faded away

Married Films

Dark Chocolate: Bengali movie on the Sheena Bora murder case.

 

Amisha Patel

I don’t know why exactly, but I have always gotten the impression that she is kind of hard to work with.  Plus she had a very messy issue with her family, suing her parents, that kind of thing.  And maybe that’s why, despite being in two record breaking hit films, she never really reached the top level of the industry.

Launch Film

Kaho Na Pyar Hai: The problem was, while Amisha was fine, everyone just remembered Hrithik.

Starting Out/Established Films

Humraaz: A thriller with a complicated plot and two strong male leads.  Amisha just had to play the innocent trapped between them.

Grand Finale/Married Films

Honeymoon Travels Pvt. Lmt:  Amisha somehow ended up playing the bubbly sexy comic parts in her later career and this is one of the first and best of her performances.

Special Mention

Gadar: Ek Prem Katha: A deeply problematic film, that was also hugely popular (possibly still holds the record for tickets sold of an film ever released in India).  Amisha plays a traumatized young woman turned wife and mother and does an excellent job.

 

 

Urmila Matondkar

A career with many starts and stops.  First a successful child actress in Hindi films, then successful in the southern industries, and finally relaunched in the Hindi industry.  And then after a burst of activity, puts out two all time classic brilliant performances in a role, and suddenly more or less stops working after that.

Launch Film

Rangeela: This is at least her launch as a Hindi adult actress film.  And immediately got her noticed, for her dancing and her sex appeal and her acting all combined.

Starting Out/Established Films

Mast: Ram Gopal Verma helped relaunch her with Rangeela, and they were a successful creative team for years, including this film.  Until suddenly she tired of him or he tired of her or something happened and he moved on to Antari Malik.

(RGV is creepy, but he really made Urmila look great)

Grand Finale/Married Films (I can’t pick, all 3 of these are brilliant and have to be mentioned, and they all happened in a row)

Tezeeb: I already mentioned it in Dia’s section, an art film with Shabana Azmi, Arjun Rampal, Dia Mirza, and Rishi Kapoor.  But Urmila plays the emotional center of it all.

Pinjar: Searing Partition drama based on many true stories of the women who were stolen, or left behind, and had to figure out how to build a life.

Ek Hasina Tha: Femme Fatale film noir inspired classic, complete with women in prison, revenge, and an evil man who gets his comeuppance.

 

Esha Deol

Hema Malini and Dharmendra’s daughter, which got her a free pass in the film industry right away.  And yet her career somehow never took off.  I guess proof that nepotism isn’t everything.

Launch Film

Koi Mere Dil Se Pooche: Terrible title, right?  Anyway, it was a decent launch film, opposite another rising star, but with Jaya Bachchan (old friend of the family) playing her mother and there to help out.

Starting Out/Established

Dus: One more time!  I don’t care, I love it.  One of many films Esha was in playing the sexy action heroine.  Which isn’t a great fit for her, but nothing else seemed to work either.

Grand Finale Film

Tell Me O Khuda: Her mother produced it and her father starred, it was one last attempt as a family to get her career going.  And it failed, so she got married and retired for good and all.

 

Diana Penty

I feel like I should throw in someone a little newer!  Diana had a good launch, then disappeared for a bit, and now seems to have started her “starting out” period again, and is moving towards “established”.

Launch Film

Cocktail: A two heroine film and Diana had the boring part.  But she did a good job with it.  And the film was a hit, so people got used to her face.

Starting Out Films

Happy Bhaag Jayegi: This also served as kind of a re-launch, coming back after a 4 year break.  And she seems ready to stick around this time, a sequel is planned soon and she has some other roles lined up.

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35 thoughts on “Starter Kit: Actresses, Part 2, Neetu to Diana Penty

  1. Pingback: Starter Kit Posts Index | dontcallitbollywood

  2. Amrita Rao was great in Main Hoon Na. I would for sure consider this her Grand Finale Film.

    Esha Deol was also in Dhoom 1. Didn’t work out for her either (Unfortunately)

    Liked by 1 person

    • It’s funny, she had a much larger part in Vivah, and yet she made less of an impression in it than in her small role in Main Hoon Na.

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    • I’m grateful to her for realizing that and not trying to force a career. She could have angled for more leading roles and so on, instead of just happily taking smaller parts that make you go “oh look, it’s Dia Mirza!”

      On Thu, Nov 30, 2017 at 3:35 AM, dontcallitbollywood wrote:

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      • I agree. Also as Angie said,I admire her for her environment conservation activities.
        Btw, what do you think of Neha Dhupia? She didn’t really get great roles or movies, but her audio show on Saavn(an Indian music app) No Filter Neha, which she also produced, was great fun. Sort of like an audio version of Koffee with Karan, but more explicit.

        Liked by 1 person

        • I just saw her in Tumhari Sulu, and she was good there. Not spectacular, like stealing the movie, but okay. I think she’s smart in having turned herself into more of a “personality” than an actress.

          On Thu, Nov 30, 2017 at 8:44 AM, dontcallitbollywood wrote:

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    • *very annoying. I don’t know why but everything I watch her on screen I get the same feeling I get when watching Naomi Watts. You can tell when she’s acting and when she’s posing and she’s always either acting or posing. I don’t think we’ve ever seen the real Dia Mirza. Plus she took her title of Miss India Asia-Pacific more seriously than the organisers of the pageant ever intended a winner to have done!

      Liked by 1 person

  3. This list just makes me kind of sad because some of these actresses had such interesting potential and were overshadowed by limited roles and the male star system.

    I admire Sushmita Sen so much for just being her own person. Her presence on screen was so mature and sophisticated and sexy (and helped by the fact that she has always looked a bit older than she actually is…in a good way).

    Amrita Rao’s pairing with Shahid is so saccharine. I remember watching Vivah when I was just starting out with watching Hindi films but now I can’t watch it again.

    Amisha Patel is a fascinating personality. She does sometimes have a particularly appealing presence on screen (kind of like Marilyn Monroe…able to go back forth from ditzy and sweet to femme fatale roles). It’s completely incongruous to the family film vibe, but her role in Thoda Pyaar Thoda Magic always cracks me up, especially the item song.

    Esha Deol (who I always somewhat meanly refer to as “Crazy Eyes!”) was so awkward on screen. I liked the one with Hrithik for a while, but that has not aged well. I guess her role in Yuva wasn’t terrible. Just a perfect case of a star kid failure. Her career lasted as long as it did because of her resemblance to her mom and her decent dancing.

    Liked by 1 person

    • I was thinking, writing this list, how in some ways these actresses are the lucky ones. Sushmita could continue her very specific interesting kind of performances, Amisha could land in this funny sexy comic relief category, But if they were male stars, they would need to have their rough edges scrapped away, or else would have to give up stardom all together, there just isn’t the option of “I don’t work that much, but I still go to parties and take teh occasional role” level in the same way. Zayed Khan, Imraan Khan, Uday Chopra, in some ways they might have a better career if they were women.

      Liked by 2 people

      • You have a point. I think Neha Dhupia would also be an interesting addition to the list…someone who never took off completely, but has had the luxury of taking an occasional role and still being part of the industry in other ways, too.

        I’m fine with never seeing Zayeed Khan on screen again. Uday is kind of a cool dude I think…I sometimes wish he could have evolved into interesting character roles…they did him a disservice in pushing him as a leading man. I’m not giving up on Imraan yet! He’s one of my favorites and I’m banking on that completely imaginary storyline in my head that he will have a surprise cameo in Thugs thanks to his uncle Aamir and he will have an interesting character role career in the future. His break from acting has been far too long though and he could be seriously switching careers or something…which would be so sad.

        Liked by 1 person

          • Well, it’s a Pahlaj Nihalini film, so I don’t know if anyone wants that. But you are totally right about the bigger picture, if Imran’s name is one that is being mentioned to get clicks on this kind of story, it means he still has some kind of recognition in the industry.

            On Thu, Nov 30, 2017 at 9:58 AM, dontcallitbollywood wrote:

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        • Oh, I’ve got about 20 people who didn’t make this post that could have. I just ran out of energy and stopped and put up the ones I had already finished.

          Uday seems to have found his place as family spokesperson/public face, so I guess that’s useful. And I could even believe it keeps him too busy to act. But I would like to see him in more roles like what his Dhoom 3 part has evolved in to, very very small parts just to keep his hand in.

          Imraan really needs to pick better movies! His last 3 (I think) have all had good ideas to start that then just sort of fell apart in the script and execution. It’s not really Imraan’s fault, he’s not the one who wrote the bad script or anything, but it is his fault that he keeps picking these lousy films.

          On Thu, Nov 30, 2017 at 9:52 AM, dontcallitbollywood wrote:

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          • I like Uday in his current spokesperson role, too, and I’m kind of rooting for him and Nargis, too.

            Re Imran: I actually liked Gori Tere Pyaar Main (though the end was dragged out way too long) but haven’t even attempted Katti Batti. All three of his last films were name directors (or at least with Punit Malhotra ones he had had success with who are still in the Dharma stable). I could never tell if he wanted to be doing the lighter films and it was being dragged into “serious edgier” roles that did him in. Maybe he’s always known the early Tom Hanks-esque roles were more for him and has struggled with industry expectations.

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          • His last few films were so close to being good (excepting Katti Batti which I haven’t seen either) and then they just missed it. In a way that makes me think if there had been a strong Star, or producer, or someone else on set to say “look, you need to go back and rewrite the ending and these three scenes”, they could have been good. Maybe Imraan just doesn’t know enough yet to be that person and is being thrown into the deep end before he is ready for it, ready to be that objective final authority on how the film turns out?

            I also think Imraan has a deceptively difficult screen persona. He plays the goofy funny urban guy, not the “manly” type, or the “sensitive and soulful” type. But it’s really easy for him to come off as kind of hateful and worthless instead of just funny, unless the film is done just right. I love I Hate Luv Storys, but I can’t get anyone else to watch it, because Imran’s first 15 minutes on screen are just so horrible. And his newer stuff is even worse, even more on the “goofy frivolous” side and less on the “and then he redeems himself!” side.

            On Thu, Nov 30, 2017 at 11:12 AM, dontcallitbollywood wrote:

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          • I remember watching Jane Tu Ya Jane Na (the college kid film me and my BFF identify with) and the black kurta and face covering and the horse moment in the film was both “OMG feeling things” and “when’s THIS movie coming out?”

            There was a general positivity and acceptance back then for the nearly Arabian/Persian look he had. If he made that film today it would be stirring up trouble for looking ISIS-y

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          • Jaane Tu…Ya Jaane Na was the big movie that came out the first time I went to India, so I saw ten million ads and promotional interviews on TV, and we had to wait to get tickets because it was sold out everywhere, and just generally it was a Big Deal. But I can never tell if it was a big deal for me because of all that stuff, or if it was an actual big deal movie. Because it felt like a big deal, it felt like A Star is Born kind of moment. And then Imraan has never really lived up to it.

            On Thu, Nov 30, 2017 at 7:34 PM, dontcallitbollywood wrote:

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          • It was a college kid movie. Like SOTY was for school kids. I think the last college kid film that was a massive hit with every segment of the audience was K2H2. And that too had one half dedicated to married people with kids.

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  4. Sheena Bora murder case! That’s what you wrote about when you started your blog!
    The first time I saw Urmila was in Chamatkar…I liked her 🙂

    Dus and yet not Dus! The movie where Mukul Anand died…(the dirctor of Trimurti and the cousin of Tinnu…I am always amazed about those film families) but wasn’t completed. Anubhav Sinha’s Dus was a kind of hommage, I think. As I like to look for ‘connections’ between ShahRukh’s movies and others of his co-stars and directors, it is like ‘to knot a net’. The heroine of Trimurti should be known in South Indian Cinema, I think (till now I have limited myself to Hindi Cinema).

    Sushmita has a great screen presence. I like her a lot. I think her last Hindi movie was No Problem, a multistarrer… For me, she was the highlight of Dulha Mil Gaya 🙂

    Liked by 1 person

    • Definitely the highlight of Dulha Mil Gaya! That was the perfect role for her.

      On Thu, Nov 30, 2017 at 8:56 AM, dontcallitbollywood wrote:

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    • Don’t you just love how her confidence just burst through the screen. Trust me, we all wanted to be like Sush growing up. She was the perfect modern Indian girl- highest pageant title to her name, her pageant refinement never wore off, she’s never been photographed having a bad day, she resisted both marriage as well as a full time career at a time when making a choice was like a law almost, her choice to adopt was seen as a fad and her modelling career was seen as more like a hobby than a career. But still, every time Sush makes an appearance on a show or something, it feels like she’s doing the showrunners a favor and she’s happy to meet the contestants rather than desperate self promotion. She’s been classy all through.

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      • A few years back I saw one of those little news videos from fashion week, so it was tiny ten second bits of every model/actor coming out on the ramp and going away. And then Sush came out, and even in this string of movie stars and professional models, she was just effortlessly better than them. Just had more oomph, more glamour, more everything.

        On Thu, Nov 30, 2017 at 7:43 PM, dontcallitbollywood wrote:

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    • Got married in 2009, soon after Salaam-E-Ishq came out. And seems to have a nice post-marriage career, public appearances and occasional non-Hindi roles.

      On Thu, Nov 30, 2017 at 10:52 AM, dontcallitbollywood wrote:

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  5. I think of Isha Deol as being more like Paris Hilton (much much less obnoxious and more actually talented though!) in the way that she got pressured into making films. She’s a wonderful trained classical dancer and she was still doing shows and performances but that don’t look like an accomplishment in the north.

    I hope she makes a comeback when the classical dance trend makes a return (any day now)

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    • What I find strange is that somehow her classical training doesn’t come through in the popular dances. I look at something like “Dhoom Machele” and she’s fine, I don’t have any complaints, but it doesn’t feel like “great dancer” the way I would expect. I want to see her do a real classical number, because I feel like she’s been cheated of being allowed to show her stuff.

      On Thu, Nov 30, 2017 at 7:38 PM, dontcallitbollywood wrote:

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      • Exactly. Why would she make sense in a Bollywood type choreography? Those songs are made to have all the backup dancers look good. It’s inspiration for everyone and anyone. Even Prabhu Deva can’t get that right.

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  6. Sidenote about Baazigar: it’s the only massive hit where all three of the leads are dark. Like actually dark. And the heroines are darker than the hero. And it made no difference to their glamour. And nobody noticed it then because the film was so fantastic and the actors acted so well.

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  7. Pingback: Friday Classics: Jaane Tu….Ya Jaane Na, The Magic of that Moment When You Don’t Quite Know Yet, But You Kind of Do | dontcallitbollywood

  8. Pingback: Starter Kit: Actresses, Part 3, Soha to Lisa | dontcallitbollywood

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