10 Reasons Why Bajirao Mastani is un-Indian

When I say “un-Indian”, I don’t mean morally, or politically, or philosophically (although an argument could probably be made for all those aspects as well).  I mean, artistically, this film goes against the 102 year history of Indian film.

So, first, I should say that Bajirao is a very well made film.  The script is tight, the camera work is amazing, the costumes, sets, jewelry, hair and make-up are all phenomenal.  The acting by all three leads is also really really good.  I was confident in Deepika going in (post-Piku, she can do no wrong), but nervous about Priyanka and Ranveer.  And they ended up being the ones who impressed me most.

But when I talk about “Indian film”, I mean a very specific technical and stylistic standard, with roots going back thousands of years.  And this is not an Indian film.

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