Shahrukh Birthday Countdown, Kuch Kuch Hota Hai! Three Important Polls

I like polls, but I refuse to use the polls built in tool. I want you to comment so you can say more if you like, and I can ask follow up questions, not just pick something on a list (boring!).

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In Honor of His Birthday Yesterday, and to Cheer Us All Up, Let’s Talk About Why We Dislike Ranbir Kapoor as an Actor/Public Person!

This is a happy place, and a generally nice place, so obviously we all wish Ranbir well as a human person on earth, we want him to successfully defeat whatever internal demons he has, we want him to be at peace, and we aren’t going to troll him or stalk him or torment him on social media or any of that. But, I think we are allowed to say bad things about his acting, his films, and the way he presents himself to the world, right? That doesn’t make us bad people?

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Shahrukh Birthday Countdown, Duplicate! The Strangely Endearing Ugly Child

This is NOT a good movie. Sorry to everyone (including one of my closest friends) who loves it, but facts are facts. On the other hand, there are more people than you would expect who love it! Something about this bad bad movie is just strangely lovable.

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Shahrukh Birthday Countdown, Pardes! The Movie That Really Gets Going in the Second Half

This is a movie where the first/second half divide is so start, that I tell people to just start at the interval. The first half is fine, fun, a bit silly (kabaddi game!). The second half has some great internal tension between duty and love in a fascinating way.

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In Honor of Yashji’s Birthday, a Discussion of Film Endings!

This is in honor of Yashji because I think we can all agree he had TERRIBLE endings! Big picture they were fine, the right people ended up together and all that. But the specifics of how they played out tended to be “and then a plane explodes for no reason” kind of randomness.

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Hindi Film 101: The Feroz Khan Family, Qurbani and Zeenat Aman’s Eye Socket

There are so many Khans around! Because it is a very common name/title in the northern regions where Urdu is spoke and men are tall and handsome and refugees fled in droves to Bombay in the 1940s. But there’s only one Khan family in Hindi film, all the other little Khanses aren’t actually related to each other. Isn’t that interesting?

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Big Thinky Post: What Makes Universal Religious Moments on Film?

I suppose this is related in that religion is a factor of every human society, and this blog is about cultural artifacts (Indian films). But mostly this is a question I have been wondering about and I am curious to hear what you, my intelligent and varied and original commentators, think about it.

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