Somehow I acclimated to the two hour time change going to California very easily, but coming back home is ROUGH. Plus the usual kind of spiritual upset of trying to retrain my brain to being at home instead of on vacation. And being greeted by two days worth of extra work. It’s all hard, I need songs to help.Continue reading
It’s Javed Akhtar’s birthday today and I love him, both as a scriptwriter and a lyricist. I could easily come up with 71 reasons, but about half of them would just be quotes from Sholay and Deewar. So I am going to try to limit myself to 25, one for every film he wrote with Salim Khan, plus a bonus just for being him. And I’m going to include quotes from his Salim-Javed films, because although they were both credited, it’s generally believed that Javed wrote more of the dialogue.
(This is an updated and re-posted post from last year)
Attakathi, Vinnaithaandi Varuvaaya, Premam, and now this, they all have very similar content, the kind of content I don’t really see in American film, or even in Hindi films that much. The struggles and pain of being in love, and not being of an age for it. It isn’t something American movies deal with, maybe because it isn’t an issue in the same way in America? At least, not any more.
Vinnaithaandi Varuvaayaa was one of the few non-Ratman Tamil movies recommended to me and, more importantly, was available through my library, so I watched it last weekend. And then the first song started and I went “Hey! I know this soundtrack!” Ever since Ekk Deewana Tha started being promoted 4 years ago, I have listened to the Ekk Deewana Tha/Vinnaithaandi Varuvaaya/Ye Maaye Chaseve at least once a week, if not once a day. It is really really good. So that was an odd point of familiarity/unfamiliarity from which to start.