Boy, this party just lasts FOREVER, doesn’t it? Oh well, it is a Punjabi wedding party, I guess that is realistic. At least the scene right after is kind of interesting. Maybe the reason I have been putting off getting back to DDLJ is because this is kind of a dull section. Likes get to Karwa Chauth when things get interesting again! (full index of DDLJ posts here)
This is going to sound really silly, but what “Phurr” reminds me of the most is “Kwaja Mere Kwaja” from Jodha-Akbar. Only with Diplo and sex instead of Rahman and God. (full index of JHMS posts here)
Yesterday I put out a kind of no news-news discussion post about why “Phurr” was having a limited pay only release, and why this wasn’t actually “news” it was just the first officially promoted version of something that had been happening in a low key way for a while. And now that is even more true because, poof! Youtube video!
Remember yesterday when I was driven to an existential crisis by the way the release of “Phurr” kept being delayed and delayed? Well, googling around today revealed there is a fascinating industry story behind it. “Phurr” is being publicized as the first song to be released behind a “paywall”. Which isn’t actually true, but that’s another story. (also, it’s on iTunes now, but also on Saavn, if you pay for the app like I do, you can download and listen as much as you want)
I feel like I have used this example before, but I can’t remember what for. Anyway, the new song from Jab Harry Met Sejal is (supposedly) coming ever closer to us. And yet I find myself thinking, “will it ever actually arrive? Or is this a Xeno’s paradox situation?” (and also, once again, I should not go on twitter!)
