See, this is what happens when no one is commenting, I get depressed and watch random not very good films. Although Kunchacko did his best to cheer me up. But that was countered by the heroine Kavya Madhavan, an actress I was really liking until I looked up who she was and learned she is (maybe) a terrible human being. But even so, I have to admit she did a wonderful job in this film. This very uneven film.
This was a “well heck, it’s short!” movie watching decision. And it was, indeed, short. But otherwise not the kind of movie I would usually watch. Very film festival. Which is strange, because Malayalam films already are kind of film festival-y, but this is really really film festival-y.
I have been nagged by you nice people in the comments to watch this movie for I think a year now. And I finally did it!!!! Which means your nagging works, and you should keep it up.
Well this was fun! A really really good romance, from back when Mohanlal was young and charming (versus now when he is old and charming). A good romance that took a progressively darker tone as it went on, but still somehow got through to a satisfying ending.
Yet another Hotstar miracle! I film I had been curious about because of Rosshan Andrews, the director, and which was impossible to find. Until suddenly it popped up! Right there, at my fingertips! The wonder of Hotstar.
Oh young Mohanlal! Why are you so wonderful? One of my first Malayalam films was Aalkkoottathil Thaniye which is mostly a Mammootty film, but in his two scenes, Mohanlal stole the show for me. And now with them as equal actors, I am even more convinced that Mohanlal is the one for me. At least, in the 1980s. Haven’t made a decision yet for the other eras.
All Hail Hotstar!!! Greatest Website/App/Alternative media source in The World!!!! I picked this film basically at random out of the almost a thousand options available to me. Because I vaguely remembered hearing it was good plus, Manju Warrior!!! And it is good! And it is Manju Warrior, like ALL Manju Warrior! Her character is the whole film.
What a cute movie! Which charmed me so much that I had to put up a post yesterday describing the whole thing so that people could see how perfectly it could be remade as an SRKajol movie. Or really, in any industry with any star couple. There are so many talented mature actors, and so few scripts for them!
Well, that was okay. Definitely an okay movie, not a great movie, or even a terribly interesting one. But it was available to rent on googleplay, and it had Nivin and Nazriya, so a fair enough timepass. But I would still have enjoyed re-watching Ohm Shanti Oshaana for the thousandth time more.
Welp, I did it, I finally watched Narasimham. And it was pretty much as expected. Not exactly what I look for in my Malayalam films, but Mohanlal was there, and so was Mammootty for a bit, and now I have seen Most Successful Movie of All Time, or whatever the accurate superlative is.
Kind of odd watching a movie which hits so many familiar beats, even in the same time period, but it is about Malayalis fighting the British instead of Americans. But then, that’s the point, the British are the British wherever they are, and there is only one particular form of warfare that is effective against them. Well, at least in the 1700s.
I am continuing my “well, it’s the DVD on top” decision making process for films as I unpack. After two good Malayalam choices and one so-so Telugu, I have landed on a really quite bad Malayalam film. It looks like it was a big of a box office hit, but most critics agree with me that it is generally no good.
I just cycled through a whole bunch of variations on that title, “unexpected”, “juxtapositions”, “breaking boundaries”, but really it’s just shock. That kind of “I can’t believe they went there!” shock. Which is why it is really too bad that I saw this film after having already seen a whole bunch of other movies that went to the same kind of shocking place. Since all the others were just imitating this one, it should have had the privilege of shocking me first.
I fell behind this weekend, and now I have to write my Monday post seconds after finishing the movie. Which is really too bad, because this is a film that really needs you to sit with it for a while before you are ready to talk about it.
This was a kind of interesting film. Not a great film, maybe not even a good film? But an interesting one. Well, interesting in the last twenty minutes. The set-up for that was a bit of a drag. But most important (for me), this was a FREE film! It suddenly popped up at my library, while I was in the middle of the move (DVDs finally unpacked as of this morning, but books still in boxes), and I had to watch library DVDs. So it was perfect for me.
Well, this was a bit of an interesting downer! A movie about sex that was not at all sexy. Appropriately so, sex work is not sexy for the sex workers, it is just a job that they do from necessity. And it’s not necessarily sexy for their clients either, it is also something from desperation and misery. So, woo! An accurate depiction of life for a sex worker! Which means, depressing and grinding and tiring and dangerous and yet dull at the same time.
Well, I finally saw Oppam. Only 6 months late. Oh well, this is what happens when the theaters only give one screen to Malayalam films, and there are 4 (or 5?) major releases for Onam weekend. I saw Oozham, which was in a similar genre but not quite as good as this. Because Prithviraj is not quite as good as Mohanlal and Jeethu Joseph isn’t quite as good as Priyadarshan.
I avoided this movie because it looked scary, and I don’t like scary movies! But it really wasn’t bad, because it was less about the “scary” parts, and more about the character parts. The specifics of the danger weren’t the point, it was the way our heroine rushed headline into the danger that was the point. Because young women are very very foolish!