Aditya Chopra’s YRF Part 2! New York to Dhoom 3

Part 2! Adi started out with a business plan of pouring the distribution and DVD money into multiple new small films a year. When that stopped working in 2008, he retooled, slighter bigger and more serious movies, and the occasionally REALLY REALLY BIG hit.

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Global Box Office: The Audience Rebels against the YRF Empire, Declares Themselves FREE of Thugs of Hindostan

This is so exciting!  A big box office story after far too long!  And all over the world, America to Germany to Malaysia, everywhere is interesting!  Well, if you are a number obsessed person like me. (as always, numbers from bollywoodhungama)

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Silly Sunday: Modern Films Remade as Period Dramas, Jab Tak Hain Jaan, Mujshe Dosti Karoge, and Dhoom 3

Happy Sunday! I put up a Big Big Post yesterday, so today let’s have some fun! This started as a discussion about (once again) the problems with Jab Tak Hain Jaan, which lead to a consideration of whether it might have made more sense if it had been set further in the past. Which lead me to thinking of an alternative (better) version set in the 40s-60s (different from my previous alternate versions). And then to other films that could have been better as period pieces. Huh. All major YRF films. YRF SHOULD HIRE ME TO HEAD A “PERIOD REMAKES” DIVISION!!!!!!

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Hindi Film 101: Top Box Office Hits 2000-Today!!! Shahrukh to Prabhas

Woo-hoo!  The section where we all know ALL the movies!!!!  And also, now I am done.  With this tedious somewhat obscure topic.  No idea what to cover next.  Is it time for Sanju Baba yet?  When’s that movie coming out? (Part 1 here, part 2 here, part 3 here, part 4 here)

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Happy 4th of July! Let’s Look at the Most American of Indian Songs!

Happy 4th of July!  I am celebrating by locking my doors and fervently ignoring the massive celebration going on at the end of my street.  It’s just so hot!  And crowded and loud and blech!  Instead, I am going to have a little song festival of American-themed Indian movie songs.  As always with these posts, if I missed one you like, just mention it in the comments!

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Boring Industrial Inside Baseball stuff

Notice how I put the really exciting picture at the top so we would remember why this really matters?

So, currently, the highest Shahrukh movie on the all time gross list for India is number 5.  NUMBER 5!!!  The shame of it!  Ahead of him is PK, Bajrangi Bhaijaan, Bahubali, and Dhoom 3.  The whole list is here on wikipedia.

Now, you know what all these films have in common?  They are all from the past 5 years.  And the film at the top is usually from within the past 2 years.  In America, we are used to that, the top grossers are always fairly recent, but in India that wasn’t always the case.  Mother India set a box office record in 1957 that stayed in place for 3 years until Mughal-E-Azam surpassed it in 1960.  Mughal-E-Azam held the record until Sholay beat it in 1975.  Sholay  held the record until Hum Aapke Hain Koun came along in 1994.  Hum Aapke Hain Koun was toppled quickly by DDLJ in 1995.  Then DDLJ lost it’s crown to Kuch Kuch Hota Hai in 1998.  That record held until 2001 when it was beaten by both Kabhi Khushi Kabhi Gham and Gadar: Ek Prem Katha.  Gadar held the record until 3 Idiots in 2009, at which point everyone breathed a sigh of release because they could start pretending Gadar never happened (very very problematic messages in that film).  And then 3 Idiots held the record for a long time, by a big big margin, until it was finally beaten by Chennai Express in 2013.  All Shahrukh fans cheered and celebrated and laughed in the faces of their Aamir-fan friends, or at least that’s what I did.  Truly, it was a magical time!


(Shahrukh, take a bow!  You earned it!)

And then about 2 months later, Dhoom 3 came out and Aamir was on top again.  It stayed up there for a year, until PK came out, and then Aamir had the two top spots.  PK is still up there, but Bajrangi Bhaijaan did really well this summer and came close to beating it.  And Bahubali, of course, is a huge deal since it is the only non-Hindi film up there (although it was distributed by a Bombay based production house, Dharma, which is very important in terms of overseas awareness and national reach in India).

So, on the micro-level, this just means we all need to buy as many tickets for Dilwale as humanly possible in order to return Shahrukh to his rightful ranking.  I don’t care if you are actually seeing Star Wars, you buy your ticket for Dilwale!!!

But on a macro-level, in terms of global trends, economics, and the future of the industry, what does all of this mean and where does it come from?

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