I suddenly got one of my random Kannathil Muthamittal urges last night, and it made me think that I haven’t done a ten ugly crying films post yet. Of course, ugly crying is a deeply personal thing, so these are my ten, but they won’t necessarily be yours. Feel free to share your particular triggers in the comments! Oh, and they are almost all Hindi, but that’s just a coincidence, don’t feel limited by that.
Did I do that right? Anyway, what I mean to say in the title is that the Tiger box office is finally dropping off. And nothing else has shown up to pick up the slack, so it is yet another bleak and dreary week at the box office. Well, except for China where Indian films reign supreme.
Thanks to Salman’s Being Salman app, my phone has been going “boop-boop” and alerting me every time he puts out a new Tubelight image. I keep waiting for a teaser or something more than just a poster, but that doesn’t seem like it is happening any time soon, so I will work with the poster.
I saw Shivaay tonight! Because it was the practical thing to do based on theater schedules, even though everyone else is seeing ADHM. I’m glad I saw it, not necessarily glad I saw it before ADHM.
I already did a detailed discussion yesterday comparing and contrasting the first halves of DDLJ and Humpty. And that got so long that I decided to break at intermission and talk about the second half today. This may be slightly too much thought to put in to Humpty (although it is a very good movie. With a terrible title), but it is interesting as an example of how DDLJ has forever changed and influenced the Indian romance film.
Happy Sultan Day! I have my tickets already for the 7 o’clock show, planning to get there half an hour early so I can get a good seat. But in the meantime, let’s have some Salman songs to get us in the holiday mood!
I was doing my usual morning browse through the news sites for something worth talking about, and I ran across a bigger story than I expected. In the middle of photos from Priyanka’s Paris trip, and a follow-up story about the Udta Punjab piracy case, there was news that a Pakistani Qawwali singer who had worked in the Hindi film industry had been shot and killed while riding in a car in Karachi.
Quick news update today, not really new-news, mostly following up on developing stories. Oh, and an interesting article about Shahrukh.
Yes it does! I watched it again last night with friends for my weekly movie night. I’d already seen it twice in theaters, once at another movie night, and once with my sister while we cooked Thanksgiving dinner. It’s an extremely re-watchable film, especially with a group. Which probably explains why it sold so many tickets.
Everyone in the world is doing “Best of 2015” lists right now. And I get that, it makes sense. But I am incapable of choosing “Bests”! I love all my little movies equally! But what I can do, is remember which movies I watched most in 2015, as it is a quantifiable rather than qualitative decision. So let me count down, 10 to 0.
Or whatever, but let’s not kid ourselves, it should be Kuch Kuch. It should always be Kuch Kuch.
Anyway, rediff has a poll as part of their week long Salman birthday coverage where you can vote for his best movie. I don’t know if I would really call Kuch Kuch Hota Hai a Salman movie, but they included it, so now I must vote for it!
You can vote here. (Maine Pyar Kiya and Bajrangi Bhaijaan are currently battling for number 1)
Notice how I put the really exciting picture at the top so we would remember why this really matters?
So, currently, the highest Shahrukh movie on the all time gross list for India is number 5. NUMBER 5!!! The shame of it! Ahead of him is PK, Bajrangi Bhaijaan, Bahubali, and Dhoom 3. The whole list is here on wikipedia.
Now, you know what all these films have in common? They are all from the past 5 years. And the film at the top is usually from within the past 2 years. In America, we are used to that, the top grossers are always fairly recent, but in India that wasn’t always the case. Mother India set a box office record in 1957 that stayed in place for 3 years until Mughal-E-Azam surpassed it in 1960. Mughal-E-Azam held the record until Sholay beat it in 1975. Sholay held the record until Hum Aapke Hain Koun came along in 1994. Hum Aapke Hain Koun was toppled quickly by DDLJ in 1995. Then DDLJ lost it’s crown to Kuch Kuch Hota Hai in 1998. That record held until 2001 when it was beaten by both Kabhi Khushi Kabhi Gham and Gadar: Ek Prem Katha. Gadar held the record until 3 Idiots in 2009, at which point everyone breathed a sigh of release because they could start pretending Gadar never happened (very very problematic messages in that film). And then 3 Idiots held the record for a long time, by a big big margin, until it was finally beaten by Chennai Express in 2013. All Shahrukh fans cheered and celebrated and laughed in the faces of their Aamir-fan friends, or at least that’s what I did. Truly, it was a magical time!
(Shahrukh, take a bow! You earned it!)
And then about 2 months later, Dhoom 3 came out and Aamir was on top again. It stayed up there for a year, until PK came out, and then Aamir had the two top spots. PK is still up there, but Bajrangi Bhaijaan did really well this summer and came close to beating it. And Bahubali, of course, is a huge deal since it is the only non-Hindi film up there (although it was distributed by a Bombay based production house, Dharma, which is very important in terms of overseas awareness and national reach in India).
So, on the micro-level, this just means we all need to buy as many tickets for Dilwale as humanly possible in order to return Shahrukh to his rightful ranking. I don’t care if you are actually seeing Star Wars, you buy your ticket for Dilwale!!!
But on a macro-level, in terms of global trends, economics, and the future of the industry, what does all of this mean and where does it come from?