I already reposted everything already in the archives, for at least the next few days I will also put up new reviews. Sorry, mostly Hindi, they are just more easily available, and/or I have already watched them and can review without needing to set aside time to watch. (all Sridevi reviews here)
Wait, did you think in all the preparation for Salman I would have forgotten him? Never! Oh, and also Christmas. But even Jesus’ birthday can’t distract me from celebrating Anil! 57 today, and I am doing 25 reasons I love him, for the age he was when he got married.
This is partly inspired by a review that accessbollywood just posted of all the new heroes launched in the past few years and how Tiger Shroff compares now that his 3rd film is releasing. I mean, it’s a totally different topic, but I am stealing her idea of using this new release as an excuse to look back at previous similar films.
Why a dozen? I don’t know! I always do a dozen! It seems like a nice round number, and it lets me do half facts and half songs. Although in this case I may swing even more in the songs direction.
The censor board doesn’t have a problem with Shakespeare, they just both happen to be in the news at the same time. Although I bet the censor board would have a problem with Shakespeare, if they were working in England in the 1500s! All that sexual humor, barely veiled political content, and bad language would NOT fly!
Notice how I put the really exciting picture at the top so we would remember why this really matters?
So, currently, the highest Shahrukh movie on the all time gross list for India is number 5. NUMBER 5!!! The shame of it! Ahead of him is PK, Bajrangi Bhaijaan, Bahubali, and Dhoom 3. The whole list is here on wikipedia.
Now, you know what all these films have in common? They are all from the past 5 years. And the film at the top is usually from within the past 2 years. In America, we are used to that, the top grossers are always fairly recent, but in India that wasn’t always the case. Mother India set a box office record in 1957 that stayed in place for 3 years until Mughal-E-Azam surpassed it in 1960. Mughal-E-Azam held the record until Sholay beat it in 1975. Sholay held the record until Hum Aapke Hain Koun came along in 1994. Hum Aapke Hain Koun was toppled quickly by DDLJ in 1995. Then DDLJ lost it’s crown to Kuch Kuch Hota Hai in 1998. That record held until 2001 when it was beaten by both Kabhi Khushi Kabhi Gham and Gadar: Ek Prem Katha. Gadar held the record until 3 Idiots in 2009, at which point everyone breathed a sigh of release because they could start pretending Gadar never happened (very very problematic messages in that film). And then 3 Idiots held the record for a long time, by a big big margin, until it was finally beaten by Chennai Express in 2013. All Shahrukh fans cheered and celebrated and laughed in the faces of their Aamir-fan friends, or at least that’s what I did. Truly, it was a magical time!
(Shahrukh, take a bow! You earned it!)
And then about 2 months later, Dhoom 3 came out and Aamir was on top again. It stayed up there for a year, until PK came out, and then Aamir had the two top spots. PK is still up there, but Bajrangi Bhaijaan did really well this summer and came close to beating it. And Bahubali, of course, is a huge deal since it is the only non-Hindi film up there (although it was distributed by a Bombay based production house, Dharma, which is very important in terms of overseas awareness and national reach in India).
So, on the micro-level, this just means we all need to buy as many tickets for Dilwale as humanly possible in order to return Shahrukh to his rightful ranking. I don’t care if you are actually seeing Star Wars, you buy your ticket for Dilwale!!!
But on a macro-level, in terms of global trends, economics, and the future of the industry, what does all of this mean and where does it come from?