Hrithik Week/Shahrukh Summer: Kabhi Khushi Kabhi Gham!

Happy Hrithik Week! 5 reposted reviews, 2 new ones, I’m excited! And we are starting with the one link between Hrithik Week and Shahrukh Summer, Kabhi Khushi Kabhi Gham.

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Diwali Songs Post! Let’s Let the Light In!

I am having the worst day, just woke up miserable and stressed for no good reason.  I hate those days!  And I hate those people who are always sad!  So, I’m going to stop being sad, by just forcing myself not to be.  Anyway, it’s Diwali!!!!!  Light over darkness!

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Shahrukh Birthday Month Post: Kabhi Khushi Kabhi Gham Review, Shahrukh’s Love Defeats Amitabh’s Hate (Again)

Our last Shahrukh Month Review!  So SAD!!!! There is still Jab Harry Met Sejal Day to look forward to on Sunday, but that won’t be a “new” movie to the blog. Oh well, there’s always the much less important holiday seasons of Diwali and Christmas to look forward to once Shahrukh Month is over.

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Silly Sunday: Karan Johar Sequels!!! Part 1, Kabhi Khushi Kabhi Gham Kabhi Khushi, and Kuch Kuch Hota Hai Hota Hai

What fun Karan Johar’s birthday week is!  So many wonderful options for theme posts.  This is a very very very long one.  So long, that I had to split it in two parts, and it’s still really really long.  Be warned!

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Hindi Film 101: The 4 Stages of Life in India and How They Are in Movies

This is a strange little off-shoot of a discussion in the comments about Rani going back to work, and why this is so tough for her.  Which ended up relating back to how she is in the “householder” stage which is in fact the most restricted time of life, and then I realized that only makes sense if you know about the 4 Stages/Ashramas of life as expected in Indian society.

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Hindi Film 101: Top Box Office Hits 2000-Today!!! Shahrukh to Prabhas

Woo-hoo!  The section where we all know ALL the movies!!!!  And also, now I am done.  With this tedious somewhat obscure topic.  No idea what to cover next.  Is it time for Sanju Baba yet?  When’s that movie coming out? (Part 1 here, part 2 here, part 3 here, part 4 here)

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Happy Dear Zindagi Week!!!! K3G and What Happens When Shahrukh Mentors Young Women

Woot!  Dear Zindagi is coming out in a week!  Because Shahrukh loves me and knows I am out of town over Thanksgiving and therefore he is releasing it 2 days early in America, just for me!  In return, as always, I am celebrating a little Shahrukh week before the release (if you somehow missed the Fan and Sultan celebrations, what happens is before a Khan release, I do a series of posts discussing earlier films by the lead in terms of what they might have in common with the upcoming one)

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Want to watch a movie with me? Virtually?

My publisher is helping me set up a watch along of K3G in a couple of days.  If you want the live and fresh experience of my take on a film, check it out on twitter at my account, @mredlich21, or starting at 8pm CDT time on Thursday the 2nd (that’s 6:30am Friday the 3rd in India and I am embarrassed to tell you how long it took me to figure that out) follow and join in with the hashtags:

More information is available here:

SRKajol: A historical review

So, with this new movie, there’s going to be a lot of comparisons with past SRKajol films and judgments and greatest hits lists and so on.  So I thought, why not join the party!  Before I’ve even see Dilwale, so my judgement is not yet sullied.  And then I realized, picking a #1 all time best SRKajol film is easy, but the 5 (6, now) after that are hard.

#1, of course, is DDLJ.  I say that not just because it is my favorite movie of all time, but because, objectively speaking, it is the highest quality film they have been in together, and the most beloved.  The script deals with issues ranging from structural feminism to first versus second generation immigrants to marriage as a personal or societal undertaking.  Plus, it has Shahrukh’s all time greatest acting moment:

If you don’t remember all the other awesome bits of the film, YRF conveniently put together this remix for the 20 year anniversary:

(I think I like the remix better than the original, don’t hate me!)

But what comes after DDLJ?

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Boring Industrial Inside Baseball stuff

Notice how I put the really exciting picture at the top so we would remember why this really matters?

So, currently, the highest Shahrukh movie on the all time gross list for India is number 5.  NUMBER 5!!!  The shame of it!  Ahead of him is PK, Bajrangi Bhaijaan, Bahubali, and Dhoom 3.  The whole list is here on wikipedia.

Now, you know what all these films have in common?  They are all from the past 5 years.  And the film at the top is usually from within the past 2 years.  In America, we are used to that, the top grossers are always fairly recent, but in India that wasn’t always the case.  Mother India set a box office record in 1957 that stayed in place for 3 years until Mughal-E-Azam surpassed it in 1960.  Mughal-E-Azam held the record until Sholay beat it in 1975.  Sholay  held the record until Hum Aapke Hain Koun came along in 1994.  Hum Aapke Hain Koun was toppled quickly by DDLJ in 1995.  Then DDLJ lost it’s crown to Kuch Kuch Hota Hai in 1998.  That record held until 2001 when it was beaten by both Kabhi Khushi Kabhi Gham and Gadar: Ek Prem Katha.  Gadar held the record until 3 Idiots in 2009, at which point everyone breathed a sigh of release because they could start pretending Gadar never happened (very very problematic messages in that film).  And then 3 Idiots held the record for a long time, by a big big margin, until it was finally beaten by Chennai Express in 2013.  All Shahrukh fans cheered and celebrated and laughed in the faces of their Aamir-fan friends, or at least that’s what I did.  Truly, it was a magical time!


(Shahrukh, take a bow!  You earned it!)

And then about 2 months later, Dhoom 3 came out and Aamir was on top again.  It stayed up there for a year, until PK came out, and then Aamir had the two top spots.  PK is still up there, but Bajrangi Bhaijaan did really well this summer and came close to beating it.  And Bahubali, of course, is a huge deal since it is the only non-Hindi film up there (although it was distributed by a Bombay based production house, Dharma, which is very important in terms of overseas awareness and national reach in India).

So, on the micro-level, this just means we all need to buy as many tickets for Dilwale as humanly possible in order to return Shahrukh to his rightful ranking.  I don’t care if you are actually seeing Star Wars, you buy your ticket for Dilwale!!!

But on a macro-level, in terms of global trends, economics, and the future of the industry, what does all of this mean and where does it come from?

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