Another fun part! Really, all the fun parts are when Shahrukh and Kajol are actually interacting. Partly because their chemistry is great, partly because it feels like the plot is moving somewhere when they are in the same frame (full index of DDLJ coverage here)
Happy Wednesday! It is Shahrukh month, and I am still doing the DDLJ posts in addition to the 31 days o’ SRK posts. Mostly because there are a lot of people who read the DDLJ posts for the pure boring analysis, not the SRK love, so it’s kind of counter-programming. (full index of DDLJ coverage here)
Let’s make this a little easier for you, if you want to just read my super super intense detailed analysis/coverage of individual films, the stuff no one else on The Internet or even in the real world really does, here are all the films (so far) that have gotten this kind of treatment. Just click on the name to be taken to their individual Indexes.
Here we are, at the end! I will be putting up a few sort of open discussion posts in a bit, because it feels like people still have things to say, but this is the end of the actual scene by scene. Hopefully as nice an ending as it was for the film itself, a moment of joy confirming everything we have seen before (full index of JHMS coverage here)
We are finally here! This is going to be another epic length post, I can just feel it. But it won’t finish everything. Because I have decided, the very very end of the film is going to get it’s own little post. Because I kind of suspect it is something you will want to be able to easily find and read and reread and reread as we suffer through the long long wait for Netflix (full index of JHMS coverage here)
I am so excited to write this part! Because in the middle of a discussion in the comments about it like 4 days ago, I had a sudden revelation and I have been holding off on sharing it until now, because why waste it on a comment when I can use it in a post? (full index of JHMS coverage here)
How am I going more slowly through this than through Bahubali 2 (total of 26 parts, definitely feels like this one’s going to be more than that)? Oh that’s right, I skipped the sad bits of Bahubali. May have to skip the sad bits of this too, I’m not sure yet. Anyway, this part isn’t sad! Sort of. Wistful? Poignant? Anyway, not straight up sad. (full index of JHMS coverage here)
This is maybe my least favorite part of the film. There are still fascinating interesting things that happen, but it’s a lot of stuff happening in the “real” world instead of internally, in order to set up the really interesting internal stuff that happens in the last bit. So not as much long intense consideration of character moments, more “and then this happened, and then this happened, and then this happened.” (full index of JHMS coverage here)
I forgot I did this! Thank goodness I looked at the list of films in 2016 and it reminded me. So now ADHM gets its own index. With only a wee bitty bit of Shahrukh in it.
Welcome back! Kind of a double post, partly because my viewer numbers are telling me that people are losing interest (I know, not most of you, but some of you), and I want to crank through this thing while most of you can still remember the film. And also partly because the last section felt like it should really lead straight into this one (full JHMS coverage index here)
This is perhaps my least favorite part of the movie. Not because it is boring or unbeautiful or anything, just because it feels like the part that fits least with the rest of it. I can make it work (as I will explain below), but it isn’t quite the perfect fit with no struggle that the rest of the film is. (full index of Jab Harry Met Sejal posts here)
You know the only thing it isn’t the “peak” of? Sexiness. Comes in at least third, after the maroon dress bedroom scene, and of course the ending. But it’s a little sexy too, in that “people liking each other and being happy is sexy” kind of way. Not in the “I must have you right now and am shaking with desire!” kind of way that the other two scenes are. I mean, the characters are shaking with desire, not the audience. Although if you were too, I won’t judge. (full index of JHMS coverage here)