This is I think the first serious review I wrote. Back when no one was reading me. So I am reposting it so you can enjoy it now. And also because it’s December and no one much is reading, so I might as well put up a review that I’ve already posted twice.
I already reposted everything already in the archives, for at least the next few days I will also put up new reviews. Sorry, mostly Hindi, they are just more easily available, and/or I have already watched them and can review without needing to set aside time to watch. (all Sridevi reviews here)
Hello Again! Another repeat as I continue my day of doing ten million things up to and including getting my annual emissions test for my car. So I am using the time to repost all my Shahid reviews, in honor of his birthday tomorrow.
Shahid doesn’t really deserve a “day”, but my weekend is INSANELY busy this week, so I can’t write anything new, and his birthday is tomorrow, so it seemed appropriate to add him to my actor’s index list. Heck, maybe now that Padmavat has taken off, he will finally reach the top of the industry and have the career he always promised to have but never quite achieved.
And we reach the end! Aamir’s most recent film, and also his one at the end of the alphabet. So one last review, and then he gets his nice fresh index.
This is really not a good movie. Not in a “so bad it’s funny” way, just not a good movie. Very dull, very confusing, not great. But by golly Aamir did his best with his little role!
But you didn’t think this post would show up on Aamir Day! But it is, he has more dialogue than anyone else, so why not?
Another Aamir review! A recent movie that is (I think) still on Netflix. So you can read this and then watch it! Or the other way around, whatever you prefer.
Happy Aamir Day! No reason besides my being swamped at work and needing to fall back on reruns. And also wanting to pull together an Aamir index to go with my Shahrukh and Hrithik and Salman indexes. So, today you get a bunch of Aamir reviews I wrote and posted already being reposted! Fun fun fun!
Welcome to the beginning of Aamir Day! No real reason, I just want to give him his own index just like Shahrukh and Hrithik and Salman, and now’s as good a time as any. I’ll be re-posting his reviews as I dig them out, and then ending by posting a nice Index for him. Also, a good time for me to finally get around to giving Talaash the post it deserves.
Well, this was a pointless movie! As in, the whole plot happens, and then you realize at the end “wait, that had no effect on anything”. Not in a clever ironic way, but like the scriptwriter didn’t think it through. And that’s on top of the themes and characters just not being what they promised to be. (no spoilers review here)
Well, this was a bad movie. Not a “I want to die” bad movie, more like a “maybe I will just take a little nap until it is over” bad movie. Great actors, wasn’t their fault, but terrible script and terrible direction, just boring and unengaging.
I watched this movie with my friend for Valentine’s and, truly, it is the perfect Valentine’s movie! All the romantic relationships are a different variety of horrible, erotic love leads only to misery, and happiness come from embracing inner strength and aloneness and killing EVERYBODY. (it might also be the perfect PMS movie) I should also mention, just to complete the picture, that my friend and I ate 2 dozen mini-eclairs straight out of the container while watching this film. The Perfect Evening.
I braved the snow, a huge traffic jam, and using my moviepass card for the first time (it worked! Like a little miracle) all so I could see this movie. And it wasn’t half bad! As a movie. As a “message” or as a version of the true story, it could have been improved, but as a movie it was a nice solid film.
Here’s a random post. There’s a big thought provoking scary hard important post coming tomorrow morning, but I wanted one more nice film discussion post first. And Angie reminded me that I had still not written about this film.
It hurts my little alliteration loving heart, but I can’t do Tuesday Telugu this week. Because a big snow storm ruined my plan to drive out to the movie theater yesterday. So instead I am swapping in Friday Classics and, if the weather clears, I will do Telugu on Friday. Or something. Anyway, it still works because we get to have an Abhishek movie right by Abhi’s birthday!
I saw it! Not opening night, but soon enough. Theater was half full, half the audience was talking and the other half was shushing them, very odd dynamic. I’m used to all talking or no one, not this mix and match. Which kind of fit the mix and match I saw within the film.
Happy day before the Women’s March to the Polls! Which is a kick off and a reminder that it is all our responsibilities not just to vote, but also to run for office if possible. So, the perfect week to talk about Yuva! (yes yes, I know Aaytha Ezhuthu is better, I can’t find it, and I’ve already seen Yuva)
I’ve been kind of thinking about writing about this movie, ever since the Padmavat thing started, and now it seems like the write time with Hrithik’s birthday this week and all. So here I go!
Sorry, this is going to be a lot of me-me-me, but it will also be a little bit of a discussion of the responsibility of public writing and education and stuff. So that will be fun! Oh, and it will answer a question that a lot of people have been asking me lately.
I am stunned that I am the only one who reacted to Rana’s tweet with the first look for the new Haathi Mere Saathi by going “oh no! My CHILDHOOD!” Especially because I didn’t even see the original as a child, only as an adult who was feeling childish. But there is something so magical about that original, the purity of it, I really don’t want it to be spoiled by any kind of new take. Although, on the other hand, the magical purity of the original is probably what will protect it, nothing new and dark and dangerous can ever break its power.