Hindi Film 101: Guru Dutt, Hindi Films Great Martyr to Art

I said if I was in the mood, I might finally write a Guru Dutt 101. Well, the rain kept me awake all night, it’s still overcast and drizzling now, but at the same time the light on the lake is so beautiful in the rain that the beauty is worth the melancholy. Perfect time to think about Guru Dutt.

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Valentine’s Week of Sex: Kabhi Kabhi Review 2! What Does Yash Chopra Think Makes Good Sex?

This is a movie with a lot of layers, consideration of parent and child relationships, and changing times, and the generation gap. But it is also about sex, and what makes good sex and bad sex, and why that matters in a relationship.

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Valentine’s Week of Sex: Kabhi Kabhi Review 1! The Movie that is All About Sex Without Being About Sex

Happy Kabhi Kabhi day! This is my old review, with one paragraph added, but I think I have to do a second review later today specifically about what sex means in this movie because I think Yashji had a very particular reason for showing different interactions between the 5 couples.

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RIP Shammi, The Most Lovable Old Auntie

This was a thing to wake up to!  And I had just mentioned her in a Sridevi post as someone who was still hale and healthy and going strong.  Now I am worried about accidentally cursing her!  Although she would probably forgive me, she seemed like someone who would just laugh off any problem or insult and keep going her own way.

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Friday Classics: Happy Independence Day! Rang De Basanti

Oh boy, I really do not want to write this post!  But it was a special request, and it really feels like something I HAVE to do the Friday before Independence Day.  But I refuse to watch this movie one more time (ha!) because it makes me way way too sad.  So be aware, this will all be based on memories from like 4 years ago, the last time I felt masochistic enough to watch it. (I’ve written on this film before, and promised then that it wouldn’t be the last post. You can read it here)

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Classics Friday: An Experiment! That Will Start With Pyaasa

On the Monday Questions post, a couple of people asked me why I don’t write more about classic films.  Well, it’s because no one reads those posts!  Not a big mystery.  People want to read spoilers for new movies in theaters, and news items that mention Shahrukh Khan.  If this blog was called “what Shahrukh is doing every minute of every day and also this is the ending of that new movie you saw advertised”, I would be infinitely popular.  But I would also be both bored (not that interesting to just list off plot points in a movie) and exhausted (Shahrukh does a lot of stuff!).  So let’s see if I can manage to put in one more post topic that is just for me, and no one will read, but I will enjoy writing.

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Guide Part 3: The Actual Film, the Ending, and Dev Anand

Guide part 3!  This is what happens when I write about Great Movies, I just go on and on and don’t know how to stop (16 parts into DDLJ, by the way, and not even to intermission). But I am going to be firm with myself this time and try to keep it down to just 3 parts.  Especially because, unlike DDLJ, this isn’t a movie all my readers will necessarily have seen. (part 1 gives no plot details of the film, just background on the pre-production, part 2 starts with a general discussion of the style and techniques of the film before getting into plot.  Read them both before you read this, because I will be referring back!)

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Guide: Everything I Need To Say Before I Say Things About the Film

As you know, if you read my blog regularly, I went on a trip recently.  And I decided the perfect time to finally watch Guide was on my smartphone on the flight.  And it was perfect!  I had no other options, so I couldn’t put it off any longer.  And I was able to watch it with intense focus, since I was holding the screen right up at the end of my nose.  And this was a film that really really really deserved close watching!  And close analysis, which is why I am starting with a post that just gives background before I even talk about the film itself.

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