Attakathi: Okay, I Can See Why This Had a Mixed Reaction

After watching Kabali, I had the director’s earlier films recommended to me, Attakathi and Madras (tell me in the comments if there is anything else he did that I am missing and should watch).  Anyway, Attakathi was easier to find, so I watched that one first.

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Jacobinte Swargarajyam: A True 2 Hero Film

Jacobinte Swargarajyam is finally on einthusan.com, yay!!!!!  So, I could watch it, after missing it in theaters.  I loved Nivin Pauly in it, naturally (although I have reservations about his hair).  But I was surprised by how charismatic I found Renji Panicker, especially considering he just started acting a couple of years ago!

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Srimanthudu: My First Mahesh Babu Film!

So, moviemavengal is like totally in love with Mahesh Babu and has been telling me and telling me I need to watch one of his movies.  And then last week I saw that Srimanthudu had just been added to ErosNow, and that I could now chromecast ErosNow to my TV, and I decided it was fate!

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Happy Bhaag Jayegi Review (SPOILERS!!!): Kind of Midsummer Night’s Dream in Lahore

No one cares about this movie, do they?  That’s kind of too bad.  It’s a sweet little film, and it says something a little unusual and interesting about relationships, and also narrative structure and assumptions.

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Mohenjo Daro Spoiler Review: I Really Wish It Had Just Been a Romance

In my earlier non-Spoiler review, I mentioned that Mohenjo felt like 3 good movies smashed together into one, a romance, a political drama, and a big action movie.  Now, after I’ve had time to let the movie percolate in the back of my mind, I think the romance is the best of the 3.  Not by much, they are all strong, but the romance was just the slightest bit better filled in and more emotionally resonant.

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Rustom Review/Summary: Whole Thing! With Spoilers! It’s Almost all Exposition

I was thinking I would do a full summary for this film, like I usually do for a major release.  But then I started thinking about it, and the whole movie is basically exposition.  There isn’t nearly as much to talk about as usual in terms of visuals or dialogue or character moments.  So I’m going to skip through it pretty quick and just lay out what happened.  If you don’t want to bother seeing the movie, but are curious about how the plot plays out, you are in the right place! (if you just want a regular review, look at my first Rustom post)

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Rustom Review: Akshay is Perfect (NO SPOILERS)

I saw Rustom!  FINALLY!  I was out of town this weekend, so I couldn’t see either release until Monday night.  And tonight I am going to Mohenjo Daro after work.  And then I will be free until Happy Bhaag Jayage comes out next weekend.  The Independence Day to Republic Day release schedule is just exhausting!

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Shaheed: Not a Good Movie to Watch With Breakfast!

So, I sat down to watch this before work on Independence Day, and I ended up having a much larger breakfast than planned, because that whole last hour of the hunger strike just had me going “ooo, maybe I’ll have another glass of milk!  And toast!  Toast with my eggs!”

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Mahesh Babu’s Businessman: Wait, Am I Missing a Deeper Level Here?

This is one of those silly stupid fun movies that had a couple of moments that made me go “wait, am I imagining a hidden message here, or is it actually here?”  So I am going to need your help in the comments to figure this out!

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Abhiyum Naanum: A Love Story From the Sidelines

I loved this movie!  So sweet and funny and tender.  And then, right at the end, it pulled out a message that really packed a wallop and made me go “yes!  That is why these movies are important!”  Not just because of the lovers at the center, but because of everyone else around the edges.

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Rudhramadevi: SO AWESOME! Terrible CGI, But Great Message!!!

If you live in America, Rudhramadevi just made it to Netflix, and you should definitely watch it!  It’s like Bahubaali, but with a feminist message and really really bad CGI.  But I like the message so much, I can look past the CGI.

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Pokiri: SO MUCH BETTER than Wanted!!!!

I saw Wanted, oh, maybe 4 years ago?  Long after it came out, I think after I saw Dabangg, and got curious about the beginning of Salman’s new action era.  Anyway, it was fine, I hated Salman’s hair, but otherwise it didn’t feel like anything special to me.  Unlike Pokiri, which I watched after reading moviemavengal’s review, and which was WONDERFUL!!!  I don’t know how they managed to mess it up, but all most of the stuff that felt interesting and unusual to me in this one just went away in the remake.

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Devdas Part 4: The Bhansali One! The Shahrukh One! The One Everyone Knows!

Okay, I’ve talked about all the important Devdases, all the good ones that are closely related to the novel and deal with the ideas of hidden tragedies and casual disasters and all those cool things.  Time to deal with the one that is just really really really pretty!

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Eega/Eecha/Makhi/Naan Ee: How Does This Movie Work? And Yet, It Does!!!

I heard about Eega right when it first came out, and I thought “how can this possibly be a hit?  Not only is it kind of illogical on the face of it, it’s also super sad!”  And then I watched it, and it totally works!

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Devdas Part 3: PC Barua vs Bimal Roy Part 2; Did They Blow it At the Ending?

Feels a bit silly to have two epic length posts, but these are epic movies.  Plus, there’s two of them, so two posts kind of seems right!  Although really, they are so similar in so many ways, much of the time I am just talking about them together.  Well, and the novel.  If you want to see my starting point with Devdas, check out my post on the novel and Dev D, and yesterday’s post on the first half of these two Devdases,

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Devdas Part 2: Bimal Roy Just Took PC Barua and Made it 10% Better

Devdas!  Or rather, Devdas, Devdas, Devdas, Devdas, Devdas, Devdas.  Because I have now read the original novel, and seen 5 separate film versions.  I wrote about Dev D already, the most inventive and yet faithful remake.  Now, I want to talk about the PC Barua Hindi version from 1936, and the Bimal Roy Hindi version from 1955.  I have to talk about them together, because they are so similar, they really can’t be separated.  And because I am talking about two movies, this post is going to be split into two parts.

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Anbe Sivam: I Don’t Know, That Ending Gave Me Problems

I watched Ambe Sivam!  Another Kamal Haasan movie!  And, I don’t know, I had issues.  Mostly with the way they handled the ending.  I could see a cool idea in there, but I think it got messed up a little bit by the need to make Kamal Haasan just the coolest dude ever.

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An Orgy of Devdases (Devdasi?): Dev D as the Least and Most Faithful Adaptation

This weekend, over the course of 30 hours, I went from having seen no Devdases to having seen all 4 important Devdasi, and read the novel.  Oh, and I also watched Dishoom.  And went grocery shopping.  I didn’t sleep much, but what’s more important? Sleep or seeing every famous version of Devdas within the same 24 hour period so that I never have to think about them again?

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Kabali: My First Tamil and My First Rajinikanth Film in Theaters!

I saw Kabali!  It was SO GOOD!  Okay, the second half lost track of itself a little bit, and there were some character bits that could have been better, but overall it just had so much more depth and excitement and energy than the other movies I have seen lately!

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Dishoom: Whole Thing! SPOILER Review Mixed With Summary

It took me 7 parts to finish Sultan, but I think I can knock out Dishoom in one.  Not much to the movie, really.  And if you just want a quick review with no spoilers, you can check out my review from yesterday.

(and you can also check out moviemavengal’s review)

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Dishoom Review (No Spoilers): So Many Cameos!!!

I saw Dishoom!  It is NOT a Mumbai Police remake.  Or if it is, it’s been re-written and re-written so many times as to be unrecognizable.  Unlike Mumbai Police, it is just a super fun silly light hearted movie with no social content or awareness what so ever.

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Parampara: A Movie About Tradition in the Long Tradition of Movies About Tradition

Parampara!  Or, Tradition!  (and now I have that Fiddler on the Roof song in my head)  Anyway, this was a terrible terrible movie.  And it was a Yash Chopra film!  He must have run out of either money or interest at some point in the middle, because it is just confused and dull in a way that Yashji doesn’t usually let happen.  In fact, I feel fairly comfortable saying this is probably the worst film Yash Chopra ever made.

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