Yesterday I did “top characters“. This is a post that pairs with it, top performances. But is different, characters were wonderful people imagined by the script writer who Shahrukh was lucky to play. These are characters that Shahrukh elevated through his performance. (part of this post is the same as last year, but most of it is new)
I did a serious one yesterday, so now I get to do a silly one! 21 hairstyles. Which was surprisingly hard, because he really doesn’t like to change it up much.
Tomorrow is the start of Shahrukh’s birthday month, which means you will have to suffer through 30 Days o’ SRK on this website. But before we get into that, I want to try to explain why he means so much to some of us, why a good half of my blog audience is reacting to the news of 30 Days o’ SRK with silent cheers. At least, what I think it is.
I love Karan. Love love love. Both as an artist and a public figure. But I have to admit, he has a problem with endings. Every film either drags on too long or ends too soon. There’s always a feeling of “wait, that’s all there is?” at the end of it. And so, as my birthday gift in advance to him, I am going to fix all that! (real birthday post will go up in a couple days on the actual birthday)
I got pretty silly yesterday. Let’s see if I can pull it back and be serious. The most admirable things Shahrukh has done.
In my last few posts, I’ve mentioned how the ADHM issue isn’t quite the same as My Name is Khan yet, because the government and police haven’t weighed in and picked a side. That is no longer the case.
Okay, it’s getting less press than the earlier “Ban” and stuff, but the real pressure is on now for Karan to do something about Fawad in Ae Dil Hai Mushkil. The bottom line is being affected. Although Fawad probably doesn’t care, because he has much more important things going on in his life!
This is sort of an odd post to make. Obviously, as an American, I have a very complex and personal and emotional relationship to 9/11. For one thing, it’s also my Grandpa’s birthday (95 today!). But I want to set aside the American part of it for a post, and take a quick look at how Indian film has struggled with the changes 9/11 brought on the world. (obviously, all kinds of trigger warnings and I understand if no one wants to read this post, but I felt like I should make it)
Although it is Salman Day, and Ranveer’s Birthday, I thought I should acknowledge the “real” holiday with a post of my favorite religious songs. (Also, I am 95% sure all these songs are appropriate. But if a miss-translated a lyric or something, and one of them is more secular than religious, let me know right away so I can pull it out of a post where it doesn’t belong)
Quick news update today, not really new-news, mostly following up on developing stories. Oh, and an interesting article about Shahrukh.
So, with this new movie, there’s going to be a lot of comparisons with past SRKajol films and judgments and greatest hits lists and so on. So I thought, why not join the party! Before I’ve even see Dilwale, so my judgement is not yet sullied. And then I realized, picking a #1 all time best SRKajol film is easy, but the 5 (6, now) after that are hard.
#1, of course, is DDLJ. I say that not just because it is my favorite movie of all time, but because, objectively speaking, it is the highest quality film they have been in together, and the most beloved. The script deals with issues ranging from structural feminism to first versus second generation immigrants to marriage as a personal or societal undertaking. Plus, it has Shahrukh’s all time greatest acting moment:
If you don’t remember all the other awesome bits of the film, YRF conveniently put together this remix for the 20 year anniversary:
(I think I like the remix better than the original, don’t hate me!)
But what comes after DDLJ?