Nayakan! Mani Ratnam’s First Great Gangster Film

As you may have picked up from my Aval Shanmughi and Ambe Sivam posts, I have a hard time with Kamal Haasan.  Yes, he is a brilliant actor.  Yes, he has movie star charisma.  But it just seems like his characters have to be so perfect and so wonderful, that no one else is allowed to do anything.  But this Kamal Haasan movie, this one I liked!

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Happy Mani Ratnam Day! Starting With Kaatru Veliyidai, His Most Recent Film

Happy Mani Ratnam Day!  I’ve reviewed almost all his films here (really, I’m just missing Raavan, Thiruda Thiruda, and the Terrorism Trilogy) and I will be reposing the reviews through out the day today in the run up to Chekka Chivantha Vaanam.  Mostly because I have to work a funny day at work to be able to see CCV in theaters so I’ll have no time to write anything new.  If you don’t want to be spoiled, here is my no-spoilers review for this film.

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Hindi Film 101 (Reprint): Rahman-Ratnam and the Importance of the Composer-Director Relationship in Honor of Chekka Chivantha Vaanam

This is a post I wrote a year and a half ago for the last Rahman/Ratnam movie, but I thought I should repost it today in honor of Chekka Chivantha Vaanam.  It’s important to know why it is so especially exciting when a new Ratnam-Rahman movie comes out, and why that director-composer relationship is so special. (also, usually in this posts I try to use images instead of songs, but because of the topic, this will be an all songs post.  I encourage you to actually watch all the videos too)

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News Round-Up/Hindi Film 101: #MeToo in Hindi Film, From All the Angles, Nawazuddin to Nana to Vikas Bahl and How Anurag Kashyap and Shahrukh Khan React to Them

Still no big big exciting stories, but some interesting things today, worthy of discussion.  Some more than others, but all worth reporting.

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Random Tuesday Discussion Post: Overrated and Underrated Actors/Films

I am pretty sure YRF has arranged things so that no news breaks except for the Thugs posters.  But I am sick of talking about the Thugs posters!  And there’s no other news!  So I have to fall back on discussion posts.  Oh well, I always really enjoy talking to you all, hopefully you enjoy talking to me too.

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Tuesday Tamil ReRun Announcement: Next Week, 10/2, Kandukondain Kandukondain!

I am sure my regular Tamil readers are rolling their eyes a bit at this.  But this is such a wonderful movie, and a great introduction for those of you who have been all-Hindi up until now.  AR Rahman soundtrack, mixture of stars (Hindi, Tamil, Malayalam), and a great script based on Jane Austen.  What’s not to love? (by the way, no Tamil on Tuesday this week because I am hoping to see Chekka Chivantha Vaanam in theaters and I will review it whenever I can see it even if the day doesn’t start with a “T”)

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Monday Malayalam Film School ReRun: City of God, I Watched it 11 Times in One Week and It Is Still Brilliant

This is a very long and detailed review, as is appropriate for such a deep and complex movie.  So, prepare yourself!  Strap in for a lot of detail and discussion!

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Silly Sunday: The Godfather with The Three Khans and Shahrukh as the Hero

Raajneeti, Sarkar, and the original film, I have been on a bit of a Godfather binge (I also rewatched 1 and 2 over the past couple days).  So now the inevitable final step, writing my own version.

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Thugs Motion Posters! What Do We All Think?

Well, the opening salvo of Thugs promotions has been fired.  It’s no longer just the ramp up news stories teasing things, it’s the actual official motion posters.  To be followed by teasers and then song teasers and then a trailer and then a barrage of interviews, and finally the film just as we become completely sick of hearing about it.

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Random non-Hindi One-Off: Enough About The Godfather So We Can Better Appreciate Sarkar, Raajneeti, Chekka Chivantha Vaanam and All the Other Remakes

Well, this is awkward.  I have almost no qualifications to write this post.  But on the other hand, I started writing about Sarkar and realized half that post was just a discussion of the film that RGV used as a jumping off point.  And I already dumped paragraphs and paragraphs on it before I could start talking about Raajneeti.  And I can feel the same thing coming with Chekka Chivantha Vaanam.  So, I guess I have to do this.  Write a post just so I have something I can refer back to in all those other posts rather than starting from scratch each time.  Even though I am far from the best person to write about this film.

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